Description: Flicker Alley, in partnership with the Friedrich-Wilhelm-Murnau-Foundation is proud to present, Phantom, which marked a major turning point in the influential career and the groundbreaking style of cinema poet F.W. Murnau. In this beautifully reconstructed and restored edition from an amazingly detailed, original 1922 negative, Alfred Abel (Metropolis, Dr. Mabuse) plays Lorenz Lubota, a man obsessed with his own desires to achieve fame and wealth, who must confront the barriers of class keeping him from a woman (Lya de Putti)with whom he has had a fateful encounter.
Featuring a magnificent new orchestral score by Robert Israel, this powerfully expressive and surprisingly insightful film is a triumph of German Weimar cinema and a wonderful collaboration of many of its most skilled artisans and recognizable performers. Through dazzling visuals and memorable characters, Phantom paints a portrait of the corrupting influence of money, the conformity of societal norms, and the redemptive power of family.
Lesser Known Murnau Marred By Horrible Lead Performance Unfortunately, I must agree with one of the other reviewers here who said that the lead actor became quite annoying. Truth be told, he was pretty annoying right from the beginning. I was very disappointed watching "Phantom." There are some beautiful visual moments to be sure, but I found that the entire enterprise was all but ruined by Alfred Abel's lead performance. The character should have been played by someone much younger and much prettier. This way, modern viewers might be more apt to forgive the sillier aspects of the plot. A wistful, handsome, dreamy young poet pining for an unobtainable woman is something understandable--if quaint. But when the wistful poet is played by a man 25 years too old who spends half of the film wearing an insipid hang-dog expression on his face, the audience simply cannot relate--and can only chuckle or, worse, want to punch the television. It's that bad. Abel is dreadful and ruins what might have been an interesting and lovingly filmed time-capsule. (It's hard to believe this was the same actor who was so memorable as the capitalist father in Lang's "Metropolis"!) If you're a huge Murnau fan like me, you may find yourself greatly disappointed. Stick to his classics like "Nosferatu," "Faust," "The Last Laugh" and "Sunrise". This "Phantom" is better left lost.
Hardly a Pleasant Suprise Although visually stunning, this film was far from watchable simply because of the plot. I suppose it's a personal complaint, but the leading man became incredibly annoying. His "slip into madness" over the mere sight of a beautiful woman is hardly believable and it's certainly not sympathetic. To be honest, I found him to be rather pathetic. It just didn't seem like there was enough motivation for his downward spiral. As the film drew to a close, I found very little that could redeem this massive character flaw outside of his brutal death. I admit that's a bit harsh, but this film became frustrating at that point. I should be fair and say that I had high expectations of this film though.
A few positive remarks: Like I mentioned earlier, the visuals are stunning. I was interested in seeing this movie because of my respect (make that love) for Murnau and German Expressionism. Murnau's directing was not at fault here. Adolf Klein was better in other films, but my problem was not with the actors. The acting was superb. Almost all of the elements were satisfactory. Almost.
In summation, everything can be perfect, but if the story is not grabbing, the film can't rise above mediocre.
Stunning ! Perhaps not the best Murnau film, but surely the best edition of a silent film I have ever seen. Wonderful!
One of Murnau's best visually told films The transfer is really good and the music is beautiful. I was a bit disappointed that the inter titles are in English and tinted green but other than that, I have no complaints.
The film was good. It is extremely well told with some unbelievable scenes. It is really worth buying the DVD just for those scenes. I had how ever problems with the story (I just could not believe that an honest man like that would loose his head so easily). I also thought that Alfred Abel was to old for the part, even though he was good in the role.
This is not one of Murnau's best films but it is one of his best visually told films.
Another Outstanding Flicker Alley Release. Here comes another outstanding silent film release from the folks at Flicker Alley. First there was THE GARDEN OF EDEN a very obscure film from director Lewis Milestone with Corrine Griffith. Next came JUDEX a celebrated serial from Louis Feuillade which was unavailable for decades and now there is F.W. Murnau's PHANTOM which was made after NOSFERATU in 1922. Despite the title there is nothing supernatural about PHANTOM. It is based on a novel by Gerhard Hauptmann as adapted by Thea von Harbou and deals with the principal character's obssession with a woman whose visage "haunts" him to the exclusion of everything else. It is also the study of a family in crisis brought about by the changing times and morals of Germany after the First World War. Obssession and familial crisis are themes that von Harbou would return to again and again in her films for Fritz Lang. While it is not top drawer Murnau it is certainly more than worthwhile and paves the way for his masterpieces THE LAST LAUGH in 1924 and SUNRISE in 1927. The film has been lovingly restored with beautiful tints and a wonderful score from Robert Israel. It also comes with a booklet on the restoration. This is how all silent films should be treated allowing the viewer of today to get some idea of the viewing experience audiences had when silent films first played in theatres. With this and the other releases mentioned earlier Flicker Alley has shown themselves to be the Criterion Collection of silent films on DVD and I can't wait for their next offering whatever it may be.
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