World Famous Comics: Beyond the Valley of the Dolls
Beyond the Valley of the Dolls
Starring: Dolly Read, Cynthia Myers Directed By: Russ Meyer Average Rating: Aspect Ratio: 2.35:1 Audience Rating: X (Mature Audiences Only) Binding: DVD Format: Color, DVD-Video, Special Edition, NTSC Label: 20th Century Fox Number of Items: 1 Region Code: 1 Release Date: June 13, 2006 Running Time: 109 minutes Theatrical Release Date: June 17, 1970
Product Description: When three female rock'n'rollers travel to Hollywood to claim an inheritance they meet up with a kinky music promoter who turns them on to a whole new scene. At first all seems very exciting and the na ve trio becomes submerged in his dangerous tinseltown underworld-before they discover his true motives.System Requirements:Running Time: 109 minutesFormat: DVD MOVIE Genre: DRAMA UPC: 024543246336 Manufacturer No: 2234633
Amazon.com: One never tires of watching Russ Meyer's Beyond the Valley of the Dolls, a distant relative of Jaqueline Susann's bestselling novel, Valley of the Dolls, and its filmic counterpart, Valley of the Dolls. Kelly McNamara (Dolly Read), Casey Anderson (Cynthia Myers), and Petronella Danforth (Marcia McBroome), star as the hot female trio who clumsily navigate Hollywood during the Swingin' Sixties to promote their band, The Carrie Nations. Written by Rogert Ebert, Ebert calls the film the "first rock-horror exploitation musical," because BVD, as it's called by fans, encompasses all that was sexy, funny, hip, schlocky, stylish, and horrific about America's most interesting cultural period. BVD can be viewed as a Sixties' artifact, packed with consummate party scenes (and a cameo appearance by Strawberry Alarm Clock), as the original skin flick, as a proto-cult classic, or as a benchmark in American cinema, since it is actually well- written, artfully shot, and finely edited. This special edition re-release includes a second disc comprised of five featurettes, whose topics include Meyers' biography, the Carrie Nations music as soundtrack, Casey and Roxanne's titillating lesbian love scene, and the political climate during the Sixties. Revisiting Beyond the Valley of the Dolls, especially after Russ Meyer's recent death, reminds viewers to treasure his visionary obsession with female beauty. --Trinie Dalton
The Best of the Worst and The Worst of the Worst. O.K. Anyone that knows of Russ Myers work (faster, kill, etc) this is a great flick, Well, we know Russ was a Breast man. And the openess of the late 60's & 70's shows in his films. Bad effects, bad acting, and cheesey plots to get people naked. "pizza Delivery" "Did someone call for a Plumber to clean her pipes?" LOL. Just roll with it,. Show your 17+ year old what we call pornographic for the time,. If you can find a copy in BETA, and a player, like I saw it in '74 or sometime..
HORRIBLE MOVIE! This movie is horribly written, acted, and directed, and will just plain give you the creeps (and not in a good way like a horror movie--it's just a HORROR, period!). How Roger Ebert was ever hired as a movie critic after writing this piece of garbage is beyond me!
russ meyer fan if you like russ meyer you'll love this. if you hate him you'll hate this movie too. It just what i expected.
A Blast from the past! OH how I loved this movie! It's a cult-type of film. I loved their style of dress especially the fake hair and clothes. It was pure silliness, but laughed all the way though it. I especially liked the outtakes at the end. The actors are shown when they are older and talk about the film and the great director as well. Russ Meyer probably had a ball making this movie...Sure the story line is silly, but very entertaining. I highly recommend watching this with your pals on a rainy weekend day along w/a hot toddie...This will probably make it funnier. I loved the little tid-bit sayings too, hilarious. Beauty is obviously wasted on the youth!
Get away from me......or I'll cut you!! This is my first film by this director. I'm hesitant to guess what ignited my interest in the films of renowned sleaze master and independent film guru Russ Meyer. The film opens with a title card explaining that it is not, in any way, related to the work of Jacqueline Susann, the literary trashmeistress who wrote the novel upon which the 1967 Mark Robson film "Valley of the Dolls" was based.
Meet 'The Kelly Affair' - three rock rockin' song birds led by Kelly on vocals, (Dolly Reed) with Casey on rhythm guitar, (Cynthia Myers) and Pet (Marcia McBroom) on drums. Reduced to playing Senior Proms, the three girls and their Manager/Kelly's lover, Harris, (David Gurlan) decide to leave for Hollywood in search of fame. Once in town, Kelly contacts her estranged Aunt Suzan (Phyllis Davis) who works as fashion magazine editor for a place to crash with she and her band-mates. Then, after diner with Kelly, Suzan decides to give her a portion of the inheritance that Suzan received from their family. Not bad for a first day in Tinsletown. Soon, Kelly and crew are swinging at the pad of legendary Hollywood record producer Ronnie "Z-Man" Barzel (played by John LaZar - in one of the best roles in the film). Ronnie hears Kelly's music and turns them into an overnight sensation, recording their songs and renaming them "The Carrie Nations." Their albums skyrocket to the top of the charts, but not without the viscous cost of fame. Loves are lost and hearts are broken. The pure-at-heart turns to hedonistic compulsions, while money and drugs consume their very beings. Throw in some kinky sex, nice' rock numbers, garish melodrama, rapid-fire dialog, Meyer's signature camera and editing style and you've got one of the most daring movies ever produced by Hollywood.
A film so far ahead of it's time, no wonder it bewildered the very studio that produced it. It's always great to stick this movie on people who don't know what to expect: "Do I laugh at what I think is supposed to be funny?" "Is this funny?" "Is this serious?" "No way could they have thought this was supposed to be serious." "Is it?" "I'm confused." "I'm entertained - but am I supposed to be?" "Did Roger Ebert really write this?" The answer is `yes' to most of these questions. But no, this film was never meant to be serious. It was a parody before parodies were sheik. A comedy so far removed from what people were used to, even the actors didn't know it.
As screenwriter Roger Ebert can confirm, every single frame in this film is exactly the way the director wanted it. Every joke, edit, camera angle and music cue was meticulously placed by the filmmaker - and in spite of the film's age - it still remains a fresh feast for the ears and eyes. Particularly the eyes. The films of Russ Meyer certainly isn't for everyone, but if you appreciate the kind of cinema that is so bad it's great then his entire catalogue of trash is undoubtedly for you.
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