Starring: Mel Gibson, Joanne Samuel, Hugh Keays-Byrne, Steve Bisley, Tim Burns Directed By: George Miller Average Rating: Aspect Ratio: 2.35:1 Audience Rating: R (Restricted) Binding: DVD Format: Anamorphic, Closed-captioned, Color, Dolby, DVD, Full Screen, Special Edition, Subtitled, Widescreen, NTSC Number of Items: 1 Region Code: 1 Release Date: January 01, 2002 Running Time: 88 minutes Studio: MGM (Video & DVD) Theatrical Release Date: 1979
Product Description: Setting Mel Gibson on a sure path to superstardom this highly acclaimed crazy collide-o-scope (Newsweek) of highway mayhem cinematically defined the postapocalyptic landscape (TV Guide). Featuring eye-popping stunts that are electrifying and very convincing (Variety) and an authentically nihilistic spirit (The Village Voice) Mad Max is pure cinematic poetry (Time). In the ravaged near future a savage motorcycle gang rules the road. Terrorizing innocent civilians while tearing up the streets the ruthless gang laughs in the face of a police force hell-bent on stopping them. But they underestimate one officer: Max Rockatansky (Gibson). And when the bikers brutalize Max s best friend and family they send him into a mad frenzy that leaves him with only one thing left in the world to live for -- revenge!Special Features:New Digitally Remastered Anamorphic TransferNew-To-The-U.S.! Original Australian LanguageOriginal Mono Audio Track Mel Gibson: The Birth Of A Star Documentary Mad Max: The Film Phenomenon DocumentaryTheatrical TrailersAudio Commentary With Jon Dowding David Eggby Chris Murray & Tim Ridge Road Rants Trivia & Fun Fact TrackPhoto GalleryTV SpotsAnd More!System Requirements: Running Time 94 MinFormat: DVD MOVIE Genre: ACTION/ADVENTURE Rating: R UPC: 027616869241 Manufacturer No: 1002726
Amazon.com: The Road Warrior is already a classic, sans condescending genre distinctions like "sci-fi" or "action." But the story of Mel Gibson's stately antihero begins in Mad Max, George Miller's low-budget debut in which Max is a "Bronze" (cop) in an unspecified postapocalyptic future with a buddy-partner and family. But unlike most films set in the devastated future, Mad Max is especially notable because it is poised between our industrialized world and total regression to medieval conditions. The scale tips towards disintegration when the Glory Riders burn into town on their bikes like an overamped cadre of Brando's Wild Ones. Representing the active chaos that will eventually overwhelm the dying vestiges of civil society, they take everything dear to Max, who will exact due revenge. His flight into the same wilds that created the villains artfully sets up the morally ambiguous character of the subsequent films. --Alan E. Rapp
Good Seller ^ The product was exactly what was advertised by the seller and it was received in a very timely manner. I couldn't have been more satisfied. The product was also exceptionally priced. Thanks a bunch!!!
Decades Collection DVD of Mad Max ^ Take this simply as an informative review concerning this specific DVD release. When reading through some of the other reviews for the newest Special Edition Mad Max DVD, there were some confusing complaints that I came across, many of which were complaining that the DVD was badly formatted and that the voices had been dubbed over by American actors. After some further pondering, I realized that the reviewers were commenting on a different DVD release that came out prior to the Special Edition, as well as prior to this Decades Collection Edition.
To put it plainly, this is a retouched version of the theatrical release as far as picture and sound quality. The sound is in very nice stereo, and the picture has been digitally restored and is in Wide Screen format. There are NO American voice overs added. There are a few extras on the DVD, including poster art, two documentaries, and a few trailers. All in all, I am very pleased with the purchase. It was extremely cheap for the quality. If you want a low-cost, good version of Mad Max and are not too interested in a bunch of DVD extras, this is a no brainer.
P.S. Also included is a CD with some hit 70's songs on it, including some Marvin Gaye and Rod Stewart...so, if you haven't heard these heavily overplayed songs on the radio enough, you can own them on CD at no additional cost!
The Original Australian Cult Classic ^ For more than 20 years, American audiences were saddled with an inferior version of the 1979 action-thriller from Down Under. A worldwide hit upon its initial release, director George Miller's "Mad Max" had the misfortune of receiving U.S. distribution from American-International Pictures (AIP), which trimmed five minutes and redubbed the film with American voices - thus eliminating its Australian flavor. Adding insult to injury, AIP buried the movie in drive-ins and grindhouses as a second feature. Happily, the original 95-minute version can be found on this DVD release. Fueled by Mel Gibson's effective performance as a vengeful highway cop and David Eggby's stunning photography, the futuristic "Mad Max" boasts some extraordinary stunt work and offbeat characterizations. Miller gains tremendous mileage from his limited budget and the Australian locations provide an ideal visual counterpart to the desolate cops-vs.-bikers atmosphere. Not surprisingly, this independent cult classic helped put Australia on the cinematic map.
Is Max really mad, or merely just misunderstood? ^ "Mad Max" is one of those films that is on everyone's top film lists. Not only did it introduce us to Australian cinema, but also a young 21-year old newbie named Mel Gibson. "Mad Max" was dark, it was brooding, it was destructive, and it never gave us that glimmer of hope for humanity, but now - nearly 20 years later - does it still remain the classic that it started? Sure, it was impressive to watch the crash scenes, it was powerful to see the world through Mr. Miller's disturbed eyes, but is it re-watchable? Does it have the appeal to see new things throughout if watched and watched again? For me, the answer seemed to float near "no". While I loved what "Mad Max" represented, what it was - a full body of color and action - it wasn't something to be watched again and again. Gibson does a great job as Max, a man torn between the evils of the road and his personal philosophies. He begins as an ominous optimist, able to stop crime as it occurs on the streets, but then as his sense of normality is turned upside down, his ability to react and adapt is seen. The final moments, he has transformed from the man we were first introduced to into something quite terrifying. One could also compliment Mr. Miller's directorial outing, at times it felt a bit episodic with tough edits placed, but for the majority he told a deathly story with great ease and excitement. So, again, there is no arguing that "Mad Max" is an important film, one that I am glad to have finally seen, but once was enough. It seems to be lacking that re-watch excitement.
But why has that conclusion been made? What makes "Mad Max" mediocre instead of powerful? It is hard to pinpoint the exact scene, but the sense of "alright, I've seen it - now what" was definitely present by the end. Yet, there were points that I just loved. Gibson was perfect. He was incredible as Max, and the world that Mr. Miller created was intense. The opening scene, the car crashes as our bearded villain just yelled "Toecutter" was fantastic. "Mad Max" has one of those openings that just pulls you in, that makes you excited to watch a film of this intensity, but then where do you go? Miller seemed to indicate that more car crashes, more violence, more cliche family drama would indicate a stronger film. At times he was right, his ability to create different scenes set across the same backdrop demonstrated his originality, but then there were times where it just felt recycled. One scene that stands out, is where our gang of bikers track down a couple that happens to be at the wrong place at the wrong time, they chase them down and demoralize them as Max and his partner find them - then, almost repetitively, it happens with Max and his girl later in the film. In this post-apocalyptic world, there seems to be no problem finding someone. Space seems to not be a problem. This was another unexplained moment - where the coincidence of discovering Max or finding the biker gang should have been more difficult. These repetitive, essentially simplistic scenes seemed to detract from the power of what Max represented. One also needs to ask about the story, the unknown of what time or place we are following Max - would this have strengthened the story knowing what world we lived in? The understanding that this was a low-budget film was rooted in my mind, the techniques provided were impressive, but should that have been neglected for mediocre storytelling? Perhaps I misread this film, perhaps I missed the joy of why this is hailed as such a cult success.
Another weakness against "Mad Max" has to be the relationship between his wife/girlfriend and child. Again, the lacking story helped confuse this viewer as to what dynamic they had, but when we have scenes in which the child is completely forgotten about - it just decimates the reasons behind Max's anger and utter breakdown. There were several scenes in which I yelled at the screen, "What about the child", then finally they would remember - he seemed to fade in and out of existence too often for one film. Then, when disaster strikes, we are forced to believe that suddenly Gibson would release his inner rage? It just didn't work. The same can be said for his wife/girlfriend. A stronger definition of character, and even more lines spoken would have helped me see the relationship. She seemed angry at first, the product of a failed marriage forced by this post-apocalyptic world to stay together, then we were introduced to love, then suddenly, she moved to idiocrity. Who would believe that running down a road, when there are open fields around, is the better option? It was these small inconsistencies that forced "Mad Max" from greatness to just another average action film. Two-plus hour sweeping epics aren't always needed, but stronger characters do help in creating the world that we, as viewers, are to inhabit for 90-ish minutes.
Finally, applause are in order for the villain in this film. The portrayal of Toecutter by Hugh Keays-Byrne was outstanding. The small attention to detail as well as his ability to make you feel like he would do anything to get his way - similar to the portrayal of Joker in "The Dark Knight" - was an up moment for this film. Like a roller coaster, "Mad Max" had these ups and downs, curves and jerks, and when it was all said and done, you really had to question whether you were going to ride it again. "Mad Max" is an important film, there is no question in my mind about that. The door that this film opened for future cinema in America couldn't have been done by a better group of filmmakers, but it isn't a promising classic. I could not watch this film again. The sequels I am ready for, but this ride is over - and the park is closing. I realize that I am in the minority, but "Mad Max" is a low-budget film that uses repetitive filmmaking as its staple - originality is present, but you must search to find it.
Grade: *** 1/2 out of *****
mad max viewer ^ I love it when you ship your stuff quick and it's not broken. That's all i ask for and usually get it. Thanks for your speedy work!
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