Description: Hollywood gangsters kidnap a Beverly Hills socialite in her Cadillac convertible and whisk her off to a remote mountain cabin where a curvy "starlet" in a spandex spacesuit lands in her "white light' spaceship to bring handsome leading man Robert Clarke a message and to heat up his hormones. One problem with this cosmic encounter--her touch is deadly! An Atomic Age cult classic that could have only come out of the Hollywood B-movie factory of the 1950s. If tough gangster dialogue, sleazy dames, petty crooks, rubber snakes, and Ed Wood films speak to you, this is the one!
Hollywood gangsters, a kidnapped socialite, and leading man Robert Clarke encounter a curvy "starlet" from space in a spandex spacesuit. But beware--her touch is deadly in this Atomic Age B-movie classic.
Inferior print For some reason Image Entertainment used a different print for their DVD version as opposed to their earlier VHS release.
I have this film on both media and the print used for the VHS is cleaner, with the exception of a loss of dialogue occurring at the thirty-eight-minute-mark due to an abrupt splice/jump in the film. The line of dialogue is clean and clear on the DVD. For those who only own or have seen the VHS the dialogue delivered by Nat, the lead kidnapper is as follows: "It's a synch someone survived because that thing wasn't from this world."
You would think that Image would at least use a print as good or better than what they previously used for their VHS release. Kind of defeats the whole purpose of the DVD format to use lower grade source material on a higher grade of media.
Don't Touch Me There! Yes, she's landed her spacecraft on our planet and started walking.... no, sauntering.... Um, slinking along in her painted-on outfit from beyond space! She's the ASTOUNDING SHE-MONSTER! Why has she come? What does she want?? Look out! Her touch causes instant death to any living thing! It turns rattlesnakes into rubber and bears into rugs! Our only hope is in the person of a geologist (Robert Clarke) and his faithful collie. Oops! The ASM has dispatched poor Lassie to that big kennel in the sky! What's this? Three kidnappers have arrived at the geologist's house in the woods, with their pretty young victim in tow. What will our geological hero do now? Watch as the ASM sashays... no, moseys along at a horrible pace, touching and killing things along the way! Can the rock guy and his unwanted guests possibly survive? It's all in the deadly hands of THE ASTOUNDING SHE-MONSTER! See her wiggle... no, slither through the trees, coming closer, closer! If her suit were any tighter, she'd be bleeding! Pray that she keeps her grabby fingers to herself! THE ASTOUNDING SHE MONSTER is a schlocky ball of cheese with a gooey center. Would make a great double bill with MESA OF LOST WOMEN or THE ATOMIC BRAIN (which may have used the same droning narrator)! ...
Her Touch Is Deadly! "The Astounding She-Monster" was made by directorial genius Ronnie Ashcroft for an amazing $18,000. He and star Robert Clarke did so well that Clarke netted enough to fund his own masterwork, the equally horrible "Hideous Sun Demon." Later Clarke stooped to new lows by conspiring with Grade Z film legend Jerry Warren to foist the unbelievable "Frankenstein Island" on an unsuspecting world with the help of superstar John Carradine. (If you haven't seen "Frankenstein Island" and you like bad movies, go order it now!)
"The Astounding She-Monster" is an astounding tale of a stripper in a skin tight Lycra outfit with Mr. Spock eyebrows and a deadly touch. The film also contains subplots about geology (Typical line of dialogue: "I just never realized that a geologist used so many kinds of acid in his work." In other words: yawn.), and kidnapping, which are used to ensure that all the action takes place on one set out of concern for the budget.
This movie has all the horrible black and white devices of convenience used: silly stock footage of animals, inappropriately used; very cheesy special effects (The She-Creatures spaceship is represented by a lit match. Really.); the depiction of her 'radium covering' by merely not focusing the camera; 'day for night' effects far worse than any ever used by Ed Wood (yes, even in "Plan 9"); and perhaps most annoyingly, narration provided by a voice who can't stylistically decide if he wants to sound more like Rod Serling or Criswell. Not to be confused with stock footage, they actually shot film of a bear. When the bear became unavailable for some shots they dressed costar Kenne Duncan in a bear suit to finish out the required footage. This is genius on the level of Ed Wood! I also particularly liked the music, which is of the 'all trumpet fanfare' variety, performed by the Stuttgart (Germany) Symphony Orchestra!
Forget the plot, it's a standard atomic cautionary tale from space done in thousands of other films, but be prepared to laugh at the incredibly inept package as it comes together in a 62 minute extravaganza of hilarity and non-scariness. I deducted a couple of points for the tedium of the wandering around in the woods scenes, which are interminable. Still, all told, it's a fun slice of yesteryear. The only special feature is the original trailer, though the DVD does have excellent liner notes by Tom Weaver, the noted sci-fi historian.
The Astoundingly Awful Movie Wow...I mean...wow...this was one awful movie. I cannot remember the last time I gave a one star review, as I can usually find a few good things about a feature, but not so here. I wasn't expecting excellence here in anyway, but I certainly wasn't prepared for what I was about to see, the pain I would endure...
The Astounding She-Monster (1957) was just incredibly bad. Directed by Ronnie Ashcroft, Mr. Peek-a-Boo's Playmates (1962), this low budget Z-grade film ranks right up there (or down there) with Ed Wood Jr.'s Plan 9 From Outer Space (1959) which isn't surprising as Ronnie was involved with Wood's Night of the Ghouls (1959) as an assistant director or something like that.
Anyway, the movie starts off with some footage of outer space, and some really terrible voiceover by someone who shouldn't be doing voiceovers. We see some remote planet, and witness a bright light leaving the planet, presumably heading for Earth. We then find ourselves watching some well to do female leaving her posh home, and get treated to some more inane voiceover, basically telling us this woman is about to run into trouble. And she does. As she is driving to some party, a car containing two men and a woman stops her. The two men get out, force the well to do woman out of her car and into their car at gunpoint, and then drive away.
Around this time, in a different location, the bright light we saw earlier comes to Earth, and lands in the woods, and a shimmery, blurry female figure appears in an ultra tight body suit. The shimmer, blurred effect is created by some technique that keeps the subject slightly out of focus. Ooooh...we also get to meet Dick Cutler, played by Robert Clarke, who is a geologist of sorts and lives in a cabin in the woods where he works doing geologist type things. You may remember Robert Clarke as the writer, director, and star of the equally awful movie, The Hideous Sun Demon (1959) or the Jerry Warren shlockfest Frankenstein Island (1981). Lord knows I do...
Anyway, the kidnappers, driving to some unknown location, run across the female alien, get into an accident, disabling their car, and take refuge in Dick Cutler's shack. I forgot to mention that this astounding she-monster can kill with just a touch, as later we find out she is imbued with radium. She demonstrates this most awesoma power on a rubber snake. Okay, so now the kidnappers and their hostage are holed up in Dick's rock shack with Dick in tow. There's a lot of really inept dialogue, and some pretty unintentionally funny scenes with the female kidnapper, who seems to have a problem with the drink.
Soon the group finds themselves fighting for their lives, as the astounding she-monster finds the cabin. There are a lot of scenes with the characters being chased out of the cabin, running around in the woods, returning to the cabin, and then being chased from the cabin again. This happens like four of five times. Some people get killed, and we do get to find out why this creature came to Earth. The reason, which I won't divulge here, was so inanely posed, but is a staple theme of science fiction that I've seen in much better films. I think the revelation is supposed to be shocking, but only elicited laughter from this viewer.
The movie has a short running time of about 62 minutes, which I was thankful for...if you enjoy really bad, cornball movies, this one will suit you fine. The acting, dialogue, directing, editing, writing...all bad...so very bad. There are many laughs to be had, if you are willing to endure the pain. The print used on this disc was pretty bad but watchable, showing many flaws, major and minor, but given the material, I doubt anyone is going to rush off to do any type of restoration on this film. Special features? A horrible looking trailer (much worse for wear than the film), and trailers for some other Wade Williams/Image releases like Robot Monster (1953) and Teenagers from Outer Space (1959). Also included on the inside flap of the box is some excellent and detailed liner notes on Ronnie Ashcroft and the history of this movie. I actually found this to be more interesting than the movie. If you are not a connoisseur of cinematic cheese, enjoy the shiny, colorful cover of the DVD case and move on, but if you enjoy bargain basement filmmaking on par with Ed Wood Jr., then I've got a movie for you.
Cookieman108
Would you expect any less from the mentor of Ed Wood? THE ASTOUNDING SHE-MONSTER is Produced & Directed by Ronnie Ashcroft, friend and mentor of the immortal Ed Wood. This quickie sci-fi movie co-stars Kenne Duncan; who appeared in Wood's "superior" film NIGHT OF THE GHOULS. The Astounding She-Monster of the title is a good looking young woman in skintight spandex (Shirley Kilpatrick) with a bad make-up job which even The Cure's Robert Smith would disapprove of- & which would cause Mr. Spock's pulse to race at an illogical rate resulting in a rush of blood to his uh, human half. The plot involves the kidnapping of a socialite by gangsters who also run afoul of the alien in the woods. Guess what happens next? Of course no movie with Wood-esque aspirations would be the same without some laughably bad dialogue. A good example here would be the following line spoken by a cop: "The way you keep putting your foot in your kisser, it's a wonder you don't get athlete's mouth!" Other than that, this movie isn't even fun on a "so bad, it's good" plateau. Even if you watch it when half drunk (as I did)it remains a tedious exercise in cinematic ineptitude. And this is coming from a guy who loves bad horror movies. On the plus side if you want to see one of THE most unconvincing climactic death scenes in cinematic history you may want to waste an hour of your life on this. However if on the off chance you actually happen to derive some entertainment from this almost indescribably dull Z grader; I also recommend the 1954 film KILLERS FROM SPACE- notable for starring a pre-MISSION IMPOSSIBLE Peter Graves. This was remade in 1989 as ALIENATOR, which I haven't seen but which surely can't be any worse. Can it?
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