An intriguing thorny cello concerto enveloped by gimmicky crossover Tan Dun's SYMPHONY 1997: Heaven -- Earth -- Mankind was written for the ceremonies on the reunification of Hong Kong with China. As it was meant for a great public spectacle, the work is of grand proportions. Besides orchestra (Hong Kong Philharmonic), there's children's choir, cello solo (Yo-Yo Ma), and the use of 2500 year-old bronze bells discovered in an excavation in 1978. Does it work? To an extant, but it is not Tan Dun's best work.
The symphony is split into three parts, which not only different from each other, but each consist of heterogenous material as well. It opens with a prelude, "Song of Peace" where the bells and childrens choir are presented, though at restrained dynamics. The first movement, "Heaven", alternates between Chinese dance rhythms and vocal techniques and the Western symphonic tradition. It includes an outright quotation of Beethoven's Symphony No. 9. The last movement, "Mankind" is quite similar with its line on cello and bass instruments and the accompaniment of the children's choir. It ends with a repeat of the "Song of Peace" but with much bolder dynamics and
But it is the second movement of the symphony which forms the core of the work and which is the least gimmicky. "Earth (Yi3)" is an expanion of the composer's earlier piece Yi1. While that was a concerto for cello, this second movement adds bells. In four sections, its writing is meditative and at times angular, and the cello writing is remarkably virtuoso. The bells add little to the piece, at least in this recording, but there's more than enough here to fascinate the listener, and indeed one notices neat little details at every hearing.
If you don't know Tan Dun's work but want to check it out, avoiding world-music crossover gimmickry can be difficult, since so much of his music is written for popular consumption. If you are looking for uncompromising art music, the WATER PASSION (on Sony) and the highly entertaining and thought-provoking THE MAP (a DVD on Deutsche Grammophon) are worth seeking out. Come to the SYMPHONY 1997 to hear his cello concerto after you've already begun building a collection.
Music worthy of the event it was commissioned for. Its not everyday that one land mass unifies itself politically with another (in this case Hong Kong becoming a part of China.) With an event of that scale, one certainly requires some big music...music that's big in everyway...joy...sound...size of ensemble...etc.
Also considering Hong Kong was passing from British to Chinese rule there needed to be a certain amount of both eastern and western culture involved. Who could have been more perfect than Tan Dun? The ensemble consists of the Hong Kong Philharmonic Orchestra, Imperial Bells Ensemble of China, Yip's Children's Choir and cello soloist Yo-Yo Ma (you can't get a bigger cellist now can you?)
The piece opens up with the "Song of Peace" a gorgeous tune sung by children's choir and supported by orchestra. Musically the piece is all over the place, but that's said in a good way...its grand, beautiful, austere, light-hearted and every other emotion that one could feel. The piece is also a cello concerto of sorts often using Ma's cello lines against orchestra, bells, choir, etc. There are musical allusions to Beethoven's 9th Symphony, and I also feel I hear some Debussy as well, but that's always been Tan's formula for success, everything and the kitchen sink, but in a well ordered sort of way.
Tan Dun's music can take some getting used to, and this probably isn't the best place to delve into it (my vote for that is "Crouching Tiger, Hidden Dragon" soundtrack or his "Songs from Peony Pavillion.") (You can hear a bit of the main theme of "Crouching Tiger" in part 11 of the Symphony entitled "MANKIND.")
A really interesting hodge-podge of stuff for the truly adventurous...and always, Yo-Yo Ma is excellent.
unforgettable concert BUT... I had the chance to see the occidental premiere of Tan Dun's 'Symphony 1997: Heaven, Earth, Mankind' at the 1998 London Proms, conducted by the composer himself. This is a concert I will never forget. The large scene of the Royal Albert Hall was filled with an impressive number of instruments and performers: in addition to the occidental phiharmonic orchestra, it featured a choir of Chinese children, a bianzhong (ancient Chinese bells) and an ensemble of traditional Asian drums and percussions. The result was pure magic for the open-minded listener. This is why I may have overrated this album, which does not quite deliver the same enchantment as the 'real' thing. This symphony is innovative and skillfully composed but the listener gets lost into this blend of experimental music, traditional Chinese themes and a main theme so trivially easy to remember it sounds like Vangelis... The symphony was commissioned to celebrate the reunification of Hong Kong with China and the middle part (probably the most interesting and experimental) is actually a further development of one of Tan Dun's previous works. My impression is therefore that the symphony could have done with more coherence. Nevertheless, this is a most exciting and original record, well worth buying. And need I mention that Yo-Yo Ma's skill is as stunning as ever?
1997 Symphony by Tan Dun When I first heard the excerpt (the prelude) from the TV show "Classic Arts Showcase", I was touched by the sounds of the orchestra, the childrens' choir, the ancient bells, and the cello played by Yo-yo Ma. I decided to buy this CD, and this was a lucky choice. The whole music was understandable: mysterious, melancholy, and glorious. I have no disagreement about the composer Tan Dun borrwing some composers' music, especially Beethoven's "Ode to Joy". But perhpaps this was Tan's best choice. Besides, "Ode to Joy" means something like happiness. And Tan Dun's 1997 Symphony has a similar theme, about peace.
This may be the only Tan Dun music I may listen, but this CD is perfect for my CD collection. I thank all the staffs, the performers, and the singers for making this music really wonderful. And I especially thank the composer Tan Dun. Shei shei!
1997 Symphony by Tan Dun When I first heard the excerpt (the prelude) from the TV show "Classic Arts Showcase", I was touched by the sounds of the orchestra, the childrens' choir, the ancient bells, and the cello played by Yo-yo Ma. I decided to buy this CD, and this was a lucky choice. The whole music was understandable: mysterious, melancholy, and glorious. I have no disagreement about the composer Tan Dun borrwing some composers' music, especially Beethoven's "Ode to Joy". But perhpaps this was Tan's best choice. Besides, "Ode to Joy" means something like happiness. And Tan Dun's 1997 Symphony has a similar theme, about peace. This may be the only Tan Dun music I may listen, but this CD is perfect for my CD collection. I thank all the staffs, the performers, and the singers for making this music really wonderful. And I especially thank the composer Tan Dun. Shei shei!
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