Product Description: Craig Thompson spent three months traveling through Barcelona, the Alps, and France, as well as Morocco, researching his next graphic novel, Habibi. Spontaneous sketches and a travelogue diary document his adventures and quiet moments, creating a raw and intimate portrait of countries, culture and the wandering artist.
More than I expected! With "Blankets", Craig Thompson established what I think will remain as a landmark in the book/comics/cartoon world. With this one, I expected basically just a sketchbook filled with random drawings and what not.
The truth is that the book was a lot more continuous than I expected, and it does read like a story. The best of this is that originally this notebook wasn't supposed to ever see print, it was Craig's private sketchbook, but as it grew, people expressed interest and suggested that he publish it. And thank God that he did!
"Carnet de Voyage" is a fascinating book. It's more raw than "Good-bye, Chunky Rice" and different from "Blankets", but in its very own genre, it definitely achieves something memorable. And the intensity of the emotion is as strong as ever. I found myself laughing here, and being very concerned about Craig there. Indeed, I don't think I was ever made to care so much about someone I never met before Craig Thompson. The man is simply saintly in that sense. He is a mix of gracious humility and honesty, and his truth-like art is just mind-blowing.
So what will you find in there? The telling of his travels through France, Morocco, Spain, Switzerland, and the Alps. Thompson's artistic vision shows through that book and one can sort of get an idea of how he functions. And one certainly gets to see how tortured poor Craig really is. That unpretentious notebook will make you feel closer to him, because he is so genuine in his art, doesn't hide his life from his work, and as a result, you get a window to his soul.
It is not BLANKETS and it doesn't pretend to be, but I found it very worthwhile. I like CHUNKY RICE and I think BLANKETS is one of the great American novels, graphic or otherwise. I felt I needed a Thompson fix, and hoped this would help while I wait for the Next Book. Thinking it would be bedside reading, a few pages at a time, I read it in one sitting. His voice is as true as ever and his art is wonderful. You will meet many interesting people and suffer through his mishaps with him. It was just what I had hoped it would be, a good solid Craig Thompson fix.
A look into the mind of a solo traveler Craig Thompson is fantastic. If you like his work, you'll love this collection of musings, sketches, and stories of life on the road in Europe and Morocco. This book provides insight into Thompson's inner life, what drives him, and what he yearns for. Side by side this there are sketches that are so accurate and evocative that I felt like I was back in Morocco myself. Thompson experiences all the highs and lows of travel on his trip and very openly shares them all. For anyone who's traveled alone, but wished for company this book will ring true. But, Thompson also shares with the reader the exhilaration of new places and new people that can be found out in the world. A fantastic quick read and visual journey.
Way more than a side project. Craig Thompson's epic 600 page graphic novel, BLANKETS is one of the most beautiful comics I've ever read. I was astounded at the breadth and depth of the book and wondered how someone in his mid twenties could have crafted such a massive achievement so early in his career.
With the publication of CARNET DE VOYAGE, I now understand a little bit more about Thompson's work habits... he is a nonstop drawing machine. But no... machine is wrong... there's nothing mechanical about his work. Art flows out of Thompson's brush pens with the organic fluidity of a true master. He may well be the greatest natural cartoonist of his generation... hell, even a handful of others.
CARNET DE VOYAGE wasn't even supposed to be a book. While traveling through France, Barcelona, the Alps and Morocco last Spring to promote BLANKETS, Thompson's omnipresent sketchbook suddenly became his next project. In his introduction, the typically self-effacing artist dismisses it as "a rather self-indulgent side project."
Yes, there's lots of self-indulgence, but no more than any other writer or artist's work is self indulgent. Smarting from a recent breakup, suffering from crippling rheumatoid arthritis exacerbated by nonstop signings, sketches and portraits of locals (many of whom demand money for the privilege of being models), Thompson's travelogue is filled with the kind of subjective experience that's only interesting to others if it's told well.
And in CARNET DE VOYAGE, it's told beautifully. Mixing his two styles, the cartoony whimsy of GOODBYE, CHUNKY RICE with the more naturalistic impressionism of BLANKETS, Thompson allows us to experience everything he does: The homesickness, the culture shock, the thrill of the new and the comfort of other people. His passion for beauty, be it architectural, arboreal, feline, culinary or (often) feminine is all delineated with an artistic embellishment that's more effective than any photograph could be.
That's the power of comics; They can be (in the right hands) surreal and realistic at the same time. Thompson is as much a master of capturing the empirical world as he is conveying his inner demons (and he's got a lot of `em... this boy is one tortured, sensitive artiste). He may dismiss CARNET DE VOYAGE as "not (his) next book," but it's the richest, most rewarding graphic novel I've read since... well, since BLANKETS.
Too short! This was actually quite good, but it ends way too abruptly, with Thompson informing his audience afew pages before the end that he was only given 231 pages and then stopping right in the middle of his tour. I hope this might mean that there's a second volume, possibly? I was especially affected because I am an Oregonian as well ( though I was born here, as opposed to having moved here like Thompson) and because I lived a year of my life in Montpelier, where he stopped on his tour. It was cool seeing stuff I recognized. I also enjoyed Thompson's whiny, self-pitying and -criticizing tone which reminded me of Crumb or Pekar. It was just good.
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