Product Description: In a tenth anniversary celebration, the creator of "Calvin and Hobbes" discusses the art of cartooning, explains how he creates his immensely popular comic strip, and presents his favorite moments from the series's ten years. Original. 1,500,000 first printing.
Amazon.com Review: Now that Bill Watterson has retired from drawing syndicated cartoons, the only way to get our Calvin and Hobbes fixes is through his book collections. The 10th Anniversary Book is particularly notable, because in addition to getting some of his most wonderful cartoons, we also gain a sense of Watterson as a person.
Approximately one-tenth of the book contains essays about matters great and small--from cartooning to life--and stories about the inspiration behind some of his greatest strips. Not surprisingly, Watterson shines through as a being of considerable integrity, and the cartoons gain in depth thanks to his commentary. And, of course, the cartoons in the other 90% of the book are alternately side-splitting hilarious or touching. Happy Anniversary, Bill, and good luck with whatever it is you are doing now!
Love the comics, love the comments I don't know if I would call myself a huge fan of Calvin and Hobbes, but everytime I pop open one of their collections I am captivated by the sheer sweetness and cleverness of Watterson's work.
This is a nice collection because we get to see a little bit into the mind of Watterson. I like seeing how he designed the characters, which comics he liked, didn't like, changes over time, etc.
Necessary for the true avid fan.
This guy is a philosopher! My 18-year-old daughter said, "This guy is a philosopher! As a kid I thought these were just funny."
An essential addition to the essential comic strip I'll keep this short - this is one of the best collections you can own for Calvin and Hobbes. As there is a gigantic compilation that includes all of the strips ever made, you might think there is little reason to own anything else. However, this book contains insight directly from Watterson himself. It includes his own personal takes on some of his strips, how he evolved his artwork, his battle with syndication and layout restrictions, and overall a great look into the mind of a rather reclusive man.
His work is magical in every possible sense.
He's a little preachy Don't get me wrong, I love C&H. But Watterson is a bit preachy in this book. He tries to explain his rationale behind some of these comics and that's generally cool. But he has comments where he bashes other comics for being pretentions jerks while he comes across like basically a pretentious jerk. /shrug, it's still a good book with good comics. For me, it was a mix of eye-rolling at Watterson's comments vs. laughing at the comics.
"I've tried to return some of the fun, magic, and beauty I've enjoyed in other comics. " "I've always loved cartoons. With 'Calvin and Hobbes', I've tried to return some of the fun, magic, and beauty I've enjoyed in other comics. It's been immensely satisfying to draw 'Calvin and Hobbes', and I will always be grateful to have had the opportunity to work in this wonderful art form." (p. 208)
This book allows us to see the man behind the pen. This collection is a selection of what Watterson thought was important, interesting or profound about various strips he drew. It is the equivalent of a director's commentary on a DVD.
I relished the introductory essay, which is far superior to the one found in the Monster Box Set. It covers more of the in and outs of drawing, Watterson's battle for control of Calvin, his no-marketing stance, and his push for those wonderful Sunday comics. We have yet to see his artistic superior, much less an equal.
If we read between the lines, Watterson's retirement was not a surprise. The battles he fought for his integrity really damaged a part of his soul. This book provides a better explanation than his terse press release, and I feel for him. The Far Side, Bloom County, and now Foxtrot have run their course, and like these other comics, we can use this book to stoke memories--the roses of the soul that charm us in winter.
From Watterson's point of view, this book is the best of the best. After reading it, I see what he meant. The reason why C&H was so popular was that he touched the soul's taproot. You have the two sides of the man, with the animal being human, and the human an animal, then the shifting frame of reference between the imaginary and real world. As a chronic daydreamer, I understand this perfectly. In fact, I find myself in many situations that Calvin does, with the same results.
This is art--we se ourselves, and are better for it.
Anything Goes Trivia
Megaton Man
Trevor
