Product Description: What does it mean to write "This is not a pipe" across a bluntly literal painting of a pipe? René Magritte's famous canvas provides the starting point for a delightful homage by the French philosopher-historian Michel Foucault. Much better known for his incisive and mordant explorations of power and social exclusion, Foucault here assumes a more playful stance. By exploring the nuances and ambiguities of Magritte's visual critique of language, he finds the painter less removed than previously thought from the pioneers of modern abstraction--"confronting them and within a common system, a figure at once opposed and complementary." Foucault's brief but extraordinarily rich essay offers a startling, highly provocative view of a painter whose influence and popularity continue to grow unchecked. This is Not a Pipe also throws a new, piquantly dancing light on Foucault himself.
intermixture of thought, play, and literary drum 'n' bass This essay entitled "This Is Not A Pipe" is a fascinating excursion into the intriguing art of the great 20th C. Belgian painter. In this essay Foucault blurs the space between the critic and the subject being criticized. His thorough analysis inculcates his own hypertextual "isms" and replicating terminology that adequately reciprocates Magritte's offbeat beauty. From Foucault's view of what he considers the two principles that ruled painting (European painting?) from the 15th C. to the 20th C., to the relationship between resemblance and similitude, the mystery and static of a Magritte painting is transported onto the pages of this book. Ultimately this text is an interesting display of the interplay between text, image and the elements inculcated in the analysis thereof.
a fine work if you consider this treacle then you certainly lack any real insight into philosophy or art criticism of the 20th century; either that, or you're carrying some kind of baggage or childish grudge.
foucault offers us just one interpretation of magritte's _pipe_, and some thought in general about art, representation and the sign. it's really just part of an on-going discussion. it's a shame he's dead; he'd have loved usenet.
in any case, this book is one voice in a chorus of discussion on the matter; his is also an informed, intelligent, and original voice - albeit controversial (see review below for ruffled feathers).
this book stands on its own, but is definetly not a good introduction to foucault per se; I think it's best to start with a history of sexuality volume I, then read the introduction of history of sexuality volume II, and then you can pretty much read any foucault from there.
Language is a Prison I read this in college while studying semiotics and surrealism, yet the message of Foucault should not be relegated to the exotic and extreme "isms" of academia. I found "Pipe" to be a marvelous and playful illustration of the tryanny of language and the Orwellian control of thought which follows. Readers of Postmodern thought, Zen, Marxism, Film Theory, Psychoanlysis, and Modern Art will find moments of illumination throughout.
Great quick introduction to Foucault No, Foucault is never easy. He sometimes even writes in Foucault-ese. But the intellectual payoffs are well worth it. Seeing him approach a single painting -- which you can look at while reading the book -- is much less taxing than seeing him dissect huge topics such as the history of prisons or the history of sex. Sure, those bigger Foucault tomes carry immense rewards all their own... but for a good, stimulating, and challenging (but not TOO challenging!) introduction to Foucault's philosophy of seeing and of naming, this is a great read.
Perhaps this book is a better choice for philosophy or lit-crit fams than art / art history fans. The "artistic" value of the painting is really of not much importance to Foucault; he is more concerned with its self-referentiality, its use of meaning and names, and so on.
"Treacle"? "If you are looking for a quick read"? What are you doing with Foucault when there's always another Tom Clancy? If you think that looking at pictures precludes thinking about them, then this book isn't for you.
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