By: Marjane Satrapi Publisher: Pantheon Average Rating: Binding: Hardcover Label: Pantheon Number of Items: 1 Number of Pages: 96 Publication Date: October 03, 2006 Release Date: October 03, 2006
Product Description: In her acclaimed Persepolis books and in Embroideries, Marjane Satrapi rendered the events of her life and times in a uniquely captivating and powerful voice and vision. Now she turns that same keen eye and ear to the heartrending story of her great-uncle, a celebrated Iranian musician who gave up his life for music and love.
We are in Tehran in 1958, and Nasser Ali Khan, one of Iran’s most revered tar players, discovers that his beloved instrument is irreparably damaged. Though he tries, he cannot find one to replace it, one whose sound speaks to him with the same power and passion with which his music speaks to others. In despair, he takes to his bed, renouncing the world and all its pleasures, closing the door on the demands and love of his wife and his four children. Over the course of the week that follows, his family and close friends attempt to change his mind, but Nasser Ali slips further and further into his own reveries: flashbacks and flash-forwards (with unexpected appearances by the likes of the Angel of Death and Sophia Loren) from his own childhood through his children’s futures. And as the pieces of his story slowly fall into place, we begin to understand the profundity of his decision to give up life.
Marjane Satrapi brings what has become her signature humor, insight, and generosity to this emotional tale of life and death, and the courage and passion both require of us. The poignant story of one man, it is also a story of stunning universality–and an altogether luminous work.
More of the same from Satrapi. Marjane Satrapi, Chicken with Plums (Pantheon, 2006)
Satrapi's fourth book gives us biography instead of memoir this time-- the story of her great-uncle Nasser Ali Khan, a musician who decides to die after his wife breaks his favorite instrument. We are taken through the final eight days of Khan's life, as friends, relatives, and his own consciousness try to change his mind.
I admit that my somewhat cool reaction to the book is almost certainly a product of the complete overload of memoirs and memoir-like biographies with which the market is currently glutted; I'm relatively sure this will be my last one for a long, long while, save one series-memoir I'm in the middle of. I say this because it's certainly not a bad book; Marjane Satrapi is a witty writer, and no less here than in her other books; Chicken with Plums is as enjoyable as anything else she's done. I just couldn't get my head round it as much as it deserved. ***
Nothing to Live For This is a story of a man who lives for music and a tragic love. It is a very simple yet wonderful tale of a man who doesn't seem to know how to live. He becomes a great musician but can't work and loses the love of his life due to his devotion to music. Without music and his memory of great love, he dies. The man's family, friends and relatives don't seem to count in his estimation of life. I found this book very moving and very touching. I think some reviewers took offense since it differs from her most famous book but this one holds its own and is very special. I highly recommend this book. It is very touching and the ending is just as tragic as the main character's life.
An intimate portrait of a life I just finished Chicken with Plums, and I loved it. It has about a human condition. In this case a man, who is living a life that he felt he did not own, except his musical instrument, and the secret it held for him. It is deceptively simple, but it is deep in what it conveys to the reader. I noticed some readers felt that the book was not finished, or they were confused about it. However, I found it very clear, honest, and funny at times. It made me sad too. I wonder how many of us live a life like Nasser Ali Khan, the musician? The life that is not truly an expression of our hearts.
A Magical Improvisation on Family History Having read Persepolis I and II, as well as Embroideries, I was excited to snatch up Chicken With Plums as well. And despite some of the negative reviews here (which almost dissauded me), I found this book one of Satrapi's most magical, perfect creations. It's quite different than the autobiographical, child-like Persepolis I, though readers of Persepolis II and Embroideries will recognize the general tone and style. That said, it's a work that takes you by surprise with its directness, honesty, and sheer invention.
The book follows the last eight days of Nasser Ali Khan's life, as he decides to resign himself to death after his wife, in an argument, destroys his precious "tar"--an Iranian sitar-like instrument. He is a master musician, renowned throughout the country, and the great love affair of his life (despite one thwarted human one) was with this reciprocating instrument. Unable to find another tar to requite his passion, he loses all taste for life and its joys, and decides to stay in bed until Azrael, the Angel of Death, comes for his soul. While waiting, we get a series of flashbacks and flashforwards as he--and others--recount the stories and anecdotes that frame his life. Reading this book is like listening in on family stories around the dinner table, which by their very nature are fragmentary, interrputed, and from multiple points of view.
Though a simple story, the manner of telling it is amazingly complex and mesmerizing. Satrapi's storytelling is at its most concise here, but so much is revealed about the very human passions that shape a life, and how blind we are even to the people we live with. This is a magical book, filled with Satrapi's beautiful characterizations of the people she knew and loved. I cannot recommend this book highly enough.
Seeing the Elephant Drawn in bold black and white, Marjane Satrapi's graphic novel illustrates the moving and disturbing life and last days of her uncle, Nasser Ali Kahn. He was a famous Iranian musician, loved for his virtuosity, and the sensitivity with which he played his beloved tar.
It's a tale of how a man's happiness was gradually eroded by his culture, loss, suppressed feelings, and unrealizable expectations.
The story starts with an older man in black walking down a city street. He encounters a slender woman with her grandchild. He hesitates. Asks if her name is Irane. She doesn't recognize him. Wonders how he knows her name. He, Nasser, apologizes and walks on to a friends business where he hopes to buy a replacement for his recently broken tar.
We later learn that the broken tar had special meaning for Nasser. When he was a young man, the parents of the woman he'd fallen in love with forbade her to marry him because he was only a musician. Losing her plunged him into deep depression. He had difficulty playing. Nasser's tar master tried to console him by telling him, "To the common man, whether you're a musician or a clown, it's one and the same. The love you feel for this woman will translate into your music. She will be in every note you play." He then gave Nasser his own tar and instructed him to go on playing.
From then on, Nasser's joy was his music. His playing thrilled his audiences
Since childhood he'd been unable to meet the conventional expectations of others. His mother's, his brother's, his teachers', the parents of the woman he loved, his wife, his children.
His mother urged him to marry a woman he didn't love so that he would forget his loss. Although the woman he married did love him, she resented his music. His children, influenced by their mother's attitude, became estranged from him. This drove him further and further into his music.
After he failed to find another tar equal to his broken one, feeling that without that tar and his music there was nothing else he wanted, Nasser came to the conclusion, "To live, it's not enough to be alive." He decided to die.
This where the novel really begins. Through Satrapi's masterful construction, we are able to piece together what we need to understand who Nassar was, and why he would make this tragic choice.
Satrapi reveals Nasser's life and character by skillfully rearranging temporal events - picking up a incident, then dropping it, and then weaving it in later on in the story with new threads. She loops the past into the present, the future into the past. Sometimes, from frame to frame, she switches back and forth between the past and the present, showing how a character's unhappy memories and lingering hurt become emotional IEDs on the path to true understanding.
There are many lenses through which to "see" another person, many ways in which to know them. At Nassaer's mother's funeral, a mystic tells him the story of five men in the dark trying to describe a whole elephant from the part each has touched. "We give meaning to life based upon our point of view," he tells Nasser. In Chicken With Plums, through characters and events, Satrapi gives us the whole elephant.
As the novel progresses, Satrapi's drawings become more expressive and surreal, adding more decorative touches. Her work resembles animation, almost cartoonish, but her story has the depth of a great novel. She has the timing of a film maker, knowing just what to show when, and how to keep the mystery and tension to the end.
Chicken With Plums has touched me deeply. It's a heart breaking story of love on many levels, fulfilled and unfulfilled. I believe Nasser died of a broken heart. Without Irane and without his music, he could not find a way to be in this world.
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