World Famous Comics: At Large and At Small: Familiar Essays
At Large and At Small: Familiar Essays
By: Anne Fadiman Publisher: Farrar, Straus and Giroux Average Rating: Binding: Paperback Label: Farrar, Straus and Giroux Number of Items: 1 Number of Pages: 240 Publication Date: May 27, 2008 Release Date: May 27, 2008
In At Large and At Small, Anne Fadiman returns to one of her favorite genres, the familiar essay—a beloved and hallowed literary tradition recognized for both its intellectual breadth and its miniaturist focus on everyday experiences. With the combination of humor and erudition that has distinguished her as one of our finest essayists, Fadiman draws us into twelve of her personal obsessions: from her slightly sinister childhood enthusiasm for catching butterflies to her monumental crush on Charles Lamb, from her wistfulness for the days of letter-writing to the challenges and rewards of moving from the city to the country.
Many of these essays were composed “under the influence” of the subject at hand. Fadiman ingests a shocking amount of ice cream and divulges her passion for Häagen-Dazs Chocolate Chocolate Chip and her brother’s homemade Liquid Nitrogen Kahlúa Coffee (recipe included); she sustains a terrific caffeine buzz while recounting Balzac’s coffee addiction; and she stays up till dawn to write about being a night owl, examining the rhythms of our circadian clocks and sharing such insomnia cures as her father’s nocturnal word games and Lewis Carroll’s mathematical puzzles. At Large and At Small is a brilliant and delightful collection of essays that harkens a revival of a long-cherished genre.
Delightful Read Ann Fadiman writes beautifully and brings us into her personal world with warmth. I savored each essay, reading just one a day to make them last. Suzanne Love Harris, Wilson, Wyoming
The art of essay writing at its finest This is an adorable little book. It is a book to relish slowly, not devour. I wished it had 500 more pages so I could have devoured it. I learned a lot of trivial yet fascinating facts about other writers, about butterflies and insects in general, about letter-writing and mail, among others. Ann Fadiman writes in a manner that really involves the reader, i.e. she makes you think that your attention to the topic is valuable, through careful selection of words, personal reflection, and poignant revelations of her family life. It's the sort of book that makes you think "I'm so glad I found it and read it". I wish there were more writers like her.
Graceful Writing; Pleasant Reading Anne Fadiman writes so beautifully that reading her books is well-nigh a spiritual experience. This lovely collection of essays will engage, enthrall, and enlighten any reader. Interesting, curious, and linguistically facile, Fadiman is always a great read.
Recommended without hesitation! I love Fadiman. I loved her Ex Libris: Confessions of a Common Reader -- an excellent book about reading. At Large and At Small was very good too. But Ex Libris was the better book. Still: Recommended without hesitation.
a beautifully written, thoughtful mix of experience and research; like chatting with a bright and engaging friend I have felt that I will read any book that Anne Fadiman writes; this confirms that conviction.
What's a familiar essay? Fadiman doesn't give a precise definition in her preface, but she characterizes the genre: "The familiar essayist didn't speak to the millions; he spoke to one reader, as if the two of them were sitting side by side in front of a crackling fire.... His viewpoint was subjective, his frame of reference concrete, his style digressive, his eccentricities conspicuous, and his laughter usually at his own expense. And though he wrote about himself, he also wrote about a subject, something with which he was so familiar, and about which he was often so enthusiastic, that his words were suffused with a lover's intimacy" (p. x).
These essays live up to the genre: most start with one or more personal stories, which Fadiman uses as a starting point to speak about a subject more generally. The form is the only common theme of the book; the topics are wonderfully eclectic: insomnia, the American flag, coffee, Samuel Taylor Coleridge.
I enjoyed each of these essays, from Fadiman's fascinating history of the mail system (yes, really) to her reflections on what she calls "the culture wars" (questions like: should the life of the writer affect our valuation of the work? should we value literature for some inherent esthetic value or because of what it teaches us?) to her thoughts on...ice cream. [Only the last essay didn't grab me.]
Ultimately, Fadiman brings wonderful prose and delicious diction to any topic. I love her vocabulary's propensity to send me scurrying repeatedly to my dictionary - "oleaginous," "solipsistic," "insouciance," "omphalos" - artfully meshed with an informal, unpretentious style. (She cleverly hides her sources in the back without footnotes, so you can enjoy the book as a leisurely conversation but then know where to learn more.)
This is Fadiman's third book: The Spirit Catches You and You Fall Down was Excellent but very different (a classic work of medical anthropology), and Ex Libris: Confessions of a Common Reader - the bibliophile's manifesto - had the benefit of a common theme. In that sense, this was slightly less compelling than those two but marvelous just the same. She also edited and wrote the first essay for Rereadings: Seventeen writers revisit books they love, a collection of other people's essays about re-reading books they loved as children; I enjoyed that very much as well.
I recommend it. [My wife and I read this aloud to each other; I highly recommend that, too.]
Anything Goes Trivia
Megaton Man
Trevor
