Starring: Jonathan Breck, Billie Joe Armstrong, Shane Elliott, Jackie Kreisler Directed By: James Lay Average Rating: Aspect Ratio: 1.78:1 Audience Rating: NR (Not Rated) Binding: DVD Format: Color, Dolby, DVD-Video, Widescreen, NTSC Label: Image Entertainment Number of Items: 1 Region Code: 1 Release Date: February 27, 2007 Running Time: 77 minutes Theatrical Release Date: February 27, 2007
Description: In the vein of The X-Files and The Twilight Zone! Stranded in the Nevada mountains between Las Vegas and Reno in the desolate and radiation-poisoned nuclear testing grounds of Dreamland, young couple Megan and Dylan stop in a greasy spoon cafe where they learn about the infamous "Area 51" secret government base a few miles away. After they get back on the road, Dylan turns on the radio... and the only broadcast he can find is a speech from Hitler at the 1936 Olympic Games. Suddenly the car dies, and Megan, Dylan and their broken-down Lincoln are left alone in the dark, desolate desert. Out of the night, a visitor appears in the rear window of the car... a visitor from another moment in time. Scared for their lives, Megan and Dylan run from the car into the lonely darkness, where their incredible journey is only beginning...
Amazon.com: The look of the thing says horror, while the story is pure sci-fi. Dreamland plays like a low-budget episode of The X-Files sans Mulder and Scully. It starts with a young couple, Megan (Jackie Kreisler) and Dylan (Shane Elliot), driving an old beater from Vegas to Reno to visit her parents. Along the way, they drop by a kitschy diner for a bite to eat. Decorated with all manner of alien paraphernalia, the shack is situated near Area 51. While there, the tobacco-chewing clerk (Jonathan Breck, Jeepers Creepers) tells the duo a fantastic tale about locals who travel through time. They write him off as a kook and continue on their way. When their car breaks down in the middle of the desert, the two get separated, and Megan encounters one strange thing after another: a spooky little girl, a dying soldier, and Adolph Hitler (a development far more ridiculous than scary). Eventually, they're reunited. Dylan claims he's fixed the car, so they return to the road, but something about him has changed. From that point onwards, the trip grows more bizarre until all the mysteries are resolved by montage. That seems to be the intention, at any rate. Written and directed by veteran soundman James Lay (House of 1000 Corpses), Dreamland offers an intriguing premise and a few minor frights, but the end result feels more like a rough draft than a finished film. --Kathleen C. Fennessy
Really quite good, but needs a second viewing This movie is probably something you will either really like, or you will hate, but I hope that you give it a chance. It is obviously a very low-budget film--that's clear from the start, so I didn't have my hopes up very high.
However, I was *very* pleasantly surprised. The story makes some sense on the first view, but you really need to watch it a second time to put a lot of things together. Most of the story is told with clues and hints; you aren't going to be hit over the head with the meaning of the movie. I would almost say that it might even be more enjoyable--you'd be better able to enjoy some very fine, subtly crafted scenes--if you knew what was going on beforehand.
Overall, I really liked this movie. It initially looks like it is going to be a horror film, and it has some elements of horror (which I dislike--horror, that is), but this is, essentially, a science fiction film.
To summarize the story without giving anything away, two young lovers, Dylan (Shane Elliott) and Megan (Jackie Kreisler), are on their way from Reno to Las Vegas to visit her foster parents. After sunset, they stop at a bar for some food in the region where Area 51 is, and that's where things get spooky. The bartender behaves strangely from the get-go. This first meeting with him is chock full of clues about what the movie is about, so pay attention to the interactions between him, Dylan, and Megan. A lot is said with their eyes. Notice who is and who isn't surprised at certain words and phrases. Notice especially how the bartender looks at Dylan, and Dylan at the bartender.
After their meal, Dylan and Megan proceed down the road, but (of course!) the car fails. After that, things get rapidly spookier. I don't want to give away anything, so I will stop summarizing the plot at this point. A lot happens, and we learn a lot through clues we might see or hear for only a split second.
Not everything is explained in the end, though, and there are some things in the movie that are clearly there for effect; they don't really have anything to do with the story (at least as far as I can tell--the clown's eyes at the very start of the movie, for example). But there are plenty of clues to put together a pretty substantial and interesting story.
There are a few things I didn't like, and I don't know if most of them had to do with the low budget or just a bad transfer to DVD. It loses a star for these things. The sound quality isn't great; I had to turn the volume way up to hear the dialog, but since the sound effects are much louder than the dialog, that meant some unfortunately loud moments.
Also, the desert scenes are too dark, again perhaps because of a bad transfer to DVD. This made it hard to tell what was going on onscreen. The color tones are an unattractive yellow ochre in the bar but they are a much more elegant and intriguing blue shade in outside scenes.
As for the acting, I think Shane Elliott and especially Jonathan Breck did some top-notch acting in this. Jackie Kreisler did a fine job, though she spent perhaps a little too much time screaming, and at one point, even though she had left Dylan lying on the road unconscious far behind her, she cries out for him repeatedly to help her, which is the sort of thing that ruins immersion, because she hasn't been portrayed as idiotic up until that point.
Still, overall, I enjoyed this movie. I enjoy puzzles and I enjoy putting together clues and figuring things out, so this is the kind of movie I like a lot, low budget and too many screams notwithstanding. I either haven't entirely figured it out yet, though, or not all the loose ends are tied up. If you like that kind of thing too, and are willing to ignore the low budget and live with some ambiguity, then you might enjoy this movie too.
What was this about? One thing I really hate is when I have to go back in a movie to see what I missed because I couldn't figure out what or why something just happened a minute ago. I could have spent 4 hours watching this film if I had gone back every time I lost track of what was going on. It seemed like there were some possibilities here, but boy this thing really got derailed. It was a mess. I wanted some thrills and scares, but all I got was weird. Little Hitler! What was that all about? Never mind. Just don't watch this one unless you want to really analyze it then if you do tell me what was going on. Me, I'll take a good Tara Reid thriller anytime.
Lake House on a Smaller Budget We watched a double feature of DREAMLAND and THE LAKE HOUSE with Keanu Reeves and Sandra Bullock, and afterwards realized they were essentially the same picture, only THE LAKE HOUSE had storyboards.
What happened to Megan shouldn't have happened to a dog. She's dead broke, out of a job, and her boyfriend won't even properly maintain this big old showboat cruiser with an enormous gas tank. So that when Megan and Dylan decide to visit friends in Nevada, somewhere between Reno and Vegas, the car stops dead on the middle of the highway, in a spooky, surreal nightime landscape tinged with blue horizons and mesquite trees, and not much else. The desert whispers to them, calling their name, which would really freak me out, and the only place to get something to eat is the real life "LITTLE ALE INN," a 40s style roadhouse with right wing bumper stickers plastered all over its walls and every shelf in the joint. There, they are greeted by an eerie, tobacco-spitting barman played by Jonathan Breck from the Jeepers Creepers movies.
They realize they have somehow stumbled into Area 51 home of alien crash landings and government cover-up, and the so-called "Black Mailbox" (which also plays a substantial part in THE LAKE HOUSE, for Keanu Reeves and Sandra Bullock each live in the same house in different years, and can only communicate with each other through leaving notes in the mailbox. Stick its little red flag up, and you'll see it come down as thoug invisible hands had retrieved the note you put in it. Eerie!) Anyhow in DREAMLANDS the main girl, Megan, is played by an actress with less charisma than Sandra Bullock, and also the cinematographers have given her shiny bright blue eyes, like a china doll, whenever she gets stressed. Which, in DREAMLANDS, in 90 per cent of the movie.
I liked Dylan, as the boyfriend, until a certain point in the picture when it seems almost as though he had become somebody else and his eyes grow bright blue and opaque, like the jewels of the Nile! Though neither star has much acting ability, teamed together they have real nuclear chemistry, and I hope to see them again in pictures with considerably bigger budgets than DREAMLAND. Poor Megan only had one outfit through the whole picture! (Except for flashbacks to when she was a little girl.) No wonder she was freaking out.
Lacks direction.... The film is considerably shorter than most in this genre and doesn't seem to have a third act. Which caused me to wonder if the film company ran out of money before it could be completed.
At any rate, it lacked direction and the minimal plot ran into a wall.
Totsl waste of time What a waste of time. I must admit that it sounded pretty good but that was it. What a dud!!!!
Anything Goes Trivia
Megaton Man
Not Available Comics
Trevor
