Description: Joseph Fiennes (Running with Scissors, Shakespeare in Love) and Dennis Haysbert (TV's 24) star in the incredible true story of the deep bond that develops between political prisoner Nelson Mandela and James Gregory, the racist white South African who was Mandela's prison guard for more than 20 years. Based on Gregory's controversial memoir, Goodbye Bafana, The Color Of Freedom powerfully chronicles the life-changing journey both men experience during Mandela's imprisonment - as one man confronts the racism he has always known, the other's struggle for freedom makes him a worldwide symbol of South Africa's heroic fight for democracy.
Amazon.com: Inspired by James Gregory's memoir, Goodbye Bafana, The Color of Freedom offers an inside look at the 27-year incarceration of future South African President Nelson Mandela (24's Dennis Haysbert). Apartheid-friendly guard Gregory (Shakespeare in Love's Joseph Fiennes), social-climbing spouse Gloria (National Treasure's Diane Kruger), and their two children move to Robben Island, home of the infamous political prison, in 1968. Because he speaks Xhosa, Gregory’s superior charges the warder with censoring correspondence and supervising visits between the African National Congress (ANC) leader and his wife, Winnie (Faith Ndukwana). As it transpires, the guard had a black childhood friend named Bafana, and his relationship with Mandela rekindles Gregory’s long-lost belief in racial equality. Directed by Denmark's Bille August (The Best Intentions), The Color of Freedom captures the natural beauty of South Africa and the unnatural fashions of yesteryear (including Kruger's '60s-era foundation garments). The actors also give it their all, particularly Fiennes, who nails the Afrikaner dialect, but predictability and underdeveloped personalities dilute the drama (it's also worth noting that Mandela hasn't corroborated the facts in Gregory's book, contributing to its controversial reputation). The six-foot-four Haysbert's dissimilarity to the Nobel Peace Prize winner also proves distracting. Like Blood Diamond and other recent motion pictures concerning African history, August's effort means well, but fails to register as more than a made-for-TV movie with superior production values. --Kathleen C. Fennessy
Well-Intentioned But Lacks Dramatic Momentum "The Color of Freedom" (also known as "Goodbye Bafana") is based on the memoirs of James Gregory, South African prison guard and censor officer, who died in 2003. The name of the book is "Goodbye Bafana: Nelson Mandela, My Prisoner, My Friend," and you may think the book title tells all you have to know. In fact, the truth is a bit different in the film directed by Bille August ("Pelle the Conqueror"). (And I know the controversy over the original book, but I will not talk about it here.)
Though August's film is inspired by the life of a man who guarded one of the most important political figures of our time, the story of "The Color of Freedom" is not exactly about Nelson Mandela (played by Dennis Haysbert). It is more about James Gregory himself and his family - his wife (Diane Kruger) and their children - and the spiritual transformation James goes through. The story is told against the background of modern South African history, but its perspective is always that of James Gregory.
"The Color of Freedom" can be seen as a portrait of a man caught between his ideal and reality, or family and establishment. Superior officers don't like the idea of a warden talking friendly with the prisoners, much less reading Freedom Charter in secret. While watching the film, I thought his friendship with Nelson Mandela could easily jeopardize James's position and James would have to pay the price of his spiritual freedom, but ... well, I cannot disclose the plot, which I think is not very dramatic. But you may find it differently.
Dennis Haysber is surprisingly good as Nelson Mandela and Joseph Fiennes did a great job, actually his career-best acting, as the protagonist. The locations of South Africa provide beautiful sceneries and the credible backdrop for the story, but the characters of James Gregory and Nelson Mandela need to be fleshed out more, especially the latter. To understand the changes that happened in James, we have to know more about Nelson Mandela and his personality, but the script lacks information and insight, which could have made the film much better.
Mandela Towers! Funny that two reviewers note the disparity between Haysbert's size and Mandela's--Mandela is also 6'4", the same height as Haysbert, and has never been "diminutive" in size or in spirit. Robben Island is actually quite beautiful, with a glorious view of Cape Town and Table Mountain, though one would never know it from the view from the prison.
A Friendship Defined While many books and films about South Africa's Apartheid have attempted to convey the tension and the eventual dissolution of that sociopolitical scheme, few histories bring us as close to the core of the schism as does Bille August's excellent film THE COLOR OF FREEDOM. Based on the book GOODBYE BAFANA by James Gregory (with Bob Graham) the story details the relationship between Nelson Mandela and prison warden James Gregory during Mandela's long imprisonment on Robben Island off the coast of South Africa, and the gradual friendship that occurred between these disparate men. Studying this development of a friendship provides an opportunity to better understand the concept of Apartheid and of the evils of racism in general.
Nelson Mandela (Dennis Haysbert) was convicted of treason and sentenced to life imprisonment on the desolate Robben Island for his non-violent attempts to end racism in South Africa, attempts that eventually resulted in work stoppages and resistance movements that moved the articulate, well-educated lawyer Mandela into the realm of activism. While on Robben Island he was guarded by one James Gregory (Joseph Fiennes), a pro-apartheid, cruel prison employee who was assigned to Mandela as a spy and censor because of Gregory's knowledge of the local language Xhosa (learned from his childhood when his best friend was a black boy named Bafana). Gregory lives on the island with this wife (Diane Kruger) and children and his commitment to his family provides a stark contrast to his hatred of his black 'Kaffir' prisoners: his involvement with the pro-apartheid status is strengthened by his direct communication with Intelligence in the cities of South Africa where his censored information from the prisoners leads to definitive capture and 'disposal' of the blacks. On a trip ashore Gregory and his wife and children witness first hand the beatings and cruelties of the whites against the blacks and Gregory returns to his duties on Robben Island with a gradually changing point of view for the model prisoner Mandela. They begin communicating in Xhosa and Gregory allows Mandela's wife Winnie (Faith Ndukwana) to spend more committed time with her husband on her restricted visits to Robben island. One particular misstep - Gregory passes Mandela's Christmas gift of a piece of chocolate to Winnie - threatens Gregory's status on the island, while at the same time bonding Mandela and Gregory like brothers. Gregory's life and philosophy have been changed by Mandela's powerful personality and spirit and his eventual release from prison into the new, freed South Africa has been aided in a small but meaningful way by Gregory - a reflection of Gregory's childhood bond with his friend Bafana.
August captures the tension and the atmosphere of South Africa in this visually stunning film. Fiennes is superb as James Gregory as is Diane Kruger as his wife. Dennis Haysbert conveys the spiritual essence of Mandela despite the fact that his physical appearance is not at all like the Mandela known so well from the still constant photographs of the diminutive freedom fighter we see frequently. But the film does convey the tenor of the changing times during the 27-year confinement of Nelson Mandela. The featurettes on the DVD offer lengthy history lessons about the real events referenced in the film and add immeasurably to the film's overall success. There is much to learn from this film in addition to the fact that it is a solid work of cinematic artistry. Grady Harp, July 08
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