World Famous Comics: Bryan Utman American Short Story Collection: Soldier's Home
Bryan Utman American Short Story Collection: Soldier's Home
Starring: Lisa Essary, Phil Oxnam, Mark La Mura, Bryan Utman, Lane Binkley Directed By: Robert Young (III) Average Rating: Aspect Ratio: 1.33:1 Audience Rating: NR (Not Rated) Binding: DVD Format: Color, DVD-Video, NTSC Label: Monterey Video Number of Items: 1 Region Code: 1 Release Date: January 10, 2006 Running Time: 41 minutes Theatrical Release Date: 1977
Product Description: Harold Krebs (Richard Backus) went off to fight World War I the war to end all wars. Then he came home and found himself wishing it had never ended. To Ernest Hemingway (Pulitzer Prize Winner) the hardest part of the war was coming home. This is the essence of Soldier's Home -a story with many similarities to the recent experience of our veterans.Harold finds he doesn't fit in anymore. He's outgrown his old life and now needs peace and quiet to work things out for himself. Yet he's pressured by his loving but misunderstanding mother (Nancy Marchand: The Sopranos ) to rejoin a community in which he feels alien.An intense a personal character study from the giant of American Literature Harold discovers going home is never easy-and maybe it isn't even possible.System Requirements: Running Time 41 MinFormat: DVD MOVIE Genre: DRAMA Rating: NR UPC: 012233396027 Manufacturer No: 339602
Best Hemingway on Film While there is a movie of almost every novel Hemingway published in his lifetime, this gem is heads above any other film version of his fiction.
Soldier's Home is a short story based on a World War I veteran's homecoming to his small Oklahoma town, but most recognize the town as as Hemingway's Oak Park, and some of the familial tension as based on his own. The Nick Adams stories of the same period were more identifiably autobiographical; the transposition to Oklahoma with a differently named veteran may have been to erect a second veil of privacy.
But all of this matters little except as orientation. The economy of Hemingway's fictional method included, as a major technique, the witholding of explanatory background and baggage. The problem with most Hemingway films is that they attempt to put back in what he cut. This one does not. It leaves the story straight as Kentucky whiskey, bitter as pickle brine -- effects Hollywood would never likely produce given its commercial demands (public television made this film). The effect is quite startling -- not only the costumes and speech, but the whole invisible aura of the time transmitted as clean as if they had color film and sound back then.
To say much more would spoil the story, except that it effectively explains how the lost generation got lost.
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