Starring: Asia Argento, Michael Azerrad, Shon Blotzer, Adam Friberg, Andy Friberg Average Rating: Aspect Ratio: 1.33:1 Audience Rating: R (Restricted) Binding: DVD Format: AC-3, Closed-captioned, Color, Dolby, Dubbed, DVD-Video, Widescreen, NTSC Label: Hbo Home Video Number of Items: 1 Region Code: 1 Release Date: October 25, 2005 Running Time: 97 minutes Theatrical Release Date: 2005
Description: An official selection in the 2005 Cannes Film festival, GUS VAN SANT'S LAST DAYS is inspired by the final hours of Kurt Cobain. The film introduces us to Blake (Michael Pitt, The Dreamers), a brilliant, but troubled musician. Success has left him in a lonely place, where livelihoods rest on his shoulders and old friends regularly tap him for money and favors. The film follows Blake through a handful of hours spent in and near his wooded home... a fugitive from his own life.
DVD Features: Deleted Scenes Music Video:"Happy Song" by Pagoda Other:The Making Of Outtakes:On the set of Gus Van Sant's Last Days: The Long Dolly Shot
Amazon.com: Gus Van Sant's Last Days is a film about the death of Kurt Cobain. While the name of the main character has been changed from Kurt to Blake and the setting of the suicide changed from a greenhouse in Seattle to a greenhouse in upstate New York, there's no mistaking this film is the product of Van Sant's imagination pursuing the final, lonely moments of the great '90s icon. Rock biopic fans seeking a traditionally gratifying plot should run as fast as they can from this movie and see Rock Star or Sid and Nancy instead; Gus Van Sant's methodology is all about the slow, oppressive creep of time. One shot lingers excruciatingly long on some random foliage outside Blake's (Michael Pitt, The Dreamers) mansion. In another, he makes cereal. Then he sits on a bench for awhile. Or mumbles dialogue to a Yellow Pages ad salesman played by a real-life Yellow Pages ad salesman. Or gradually collapses while watching a Boyz 2 Men video. Meanwhile, Blake's parasitical hangers-on are slightly more animated, occupying his chilly house and clearly on their way to becoming as existentially destitute as he. Sonic Youth's Kim Gordon appears, pretty much reprising an interventionist role she must have played with the real-life Cobain, but this rock star is far beyond rescuing from the brink. Later, when Blake ventures into town to see a punk show, he is cornered by an acquaintance played by Harmony Korine, who tells him a hilarious story about playing Dungeons and Dragons with Jerry Garcia. Where the accumulation of small moments like these don't add up to much drama, they create a pervading sense of dread and sad inevitability. In his life, Cobain railed against all that was phony and hyped; by crafting a visual poem resolutely defiant of rock star spectacle, Van Sant honors the late singer as sincerely as he can, by keeping it real. --Ryan Boudinot
Great video I bought this for my 14-year old daugher, who is just discovering Kurt Cobain and she loved it. She's probably watched it 6 times since we bought it.
Almost gave it two Gus Van Sant has had some movies that I've enjoyed. I knew of "Gerry" and frankly, I liked that movie. I can't get into this one. It's the same style as Gerry, the long shots, capturing the panorama, little dialogue, all things I kind of liked. Maybe it was that Gerry was energetic. The character in Last Days is just mentally out of synch and so he doesn't appear to be an interesting movie. The acting's great.
horrible watch the trailer and you basically have the whole movie. a guy who stumbles around high and mumbles to himself..
End of his days Kurt Cobain was that all-too-familiar spectacle of rock'n'roll -- a young genius who is ruined by his own success and inner demons, and ends up dying too early.
And while Gus Van Sant never openly admits that the protagonist of "Last Days" is Cobain, it's pretty obvious to anyone with five active brain cells that this is a story about his last days. Unfortunately it's hardly a fitting eulogy to such a vibrant personality -- instead it's a slow grind of excruciatingly dull, unspeakably mundane events. By the time the gun comes into play, the viewers will already be dead of boredom.
We first see Blake (Michael Pitt) staggering through the countryside near his New York mansion, muttering to himself and apparently not paying any attention to his surroundings. Upon returning home he makes cereal, staggers around in a dress, and starts zoning out when the Yellow Pages man comes to call on business. He also passes out in an empty room in front of the TV.
If I wanted to see this, I'd go hang out at a frat house on Sunday morning.
The vast, chilly mansion is filled with various drugged-out hangers-on who have sex, go on joyrides and sponge off Blake, although he seems too far gone to really care. And though Blake makes a few clumsy attempts at reaching out, the others see him just as a source of money and shelter. And by the time his mother arrives to try to reason with him, it's clear that Blake has reached the point of no return.... and only tragedy will follow.
Rather than making a straightforward biopic of a thinly-veiled Cobain, Gus Van Sant evidently decided to focus on the last few days before Cobain took his own life in a Seattle greenhouse. This could have been a shocking, haunting experience -- a look into the final hours of a man of wild genius as he started circling the drain. It could have been a look into a modern American tragedy.
Instead we get a film that Van Sant clearly directed while fast asleep. Which is more or less what I wanted to do as I watched "Blake" going about the most mundane tasks imaginable.
Admittedly the settings are lovely -- fresh green woods and lawns, and a rambling stone mansion filled with shabby furniture. But nothing really HAPPENS in this movie, except a long treacly string of excruciatingly slow events that have nothing to do with one another. Van Sant spins it out in hyper-realistic style, with no music, mumbled dialogue and lots of boring activities observed in detail -- and frankly nothing could be more dull.
And though a few scenes have a feeling of imminent doom -- such as Blake's fruitless trip to a local punk club, or his pitiful attempts at playing music -- most of "Last Days" lacks even the slightest shred of foreboding or foreshadowing. Blake just does a lot of random, empty activities around his house, such as a seemingly ten-minute scene about making macaroni and cheese. No foreboding. And when he reaches the inevitable end, that's it.
Michael Pitt is one of the few good things about this movie. Though Van Sant blatantly wastes his screen presence for most of the movie, his beautiful face and powerful eyes fill the screen during the more emotional scenes, such as Blake's final meeting with his mother. Though the camera rarely captures it -- Van Sant seems more interested in watching him stumble around -- he gives a startlingly, disturbingly good performance when given half a chance.
Most of the other actors, though, are no more than hostile cardboard cutouts, and there's nobody here who has much presence -- which may be appropriate, since they're all leeches. The biggest waste is Asia Argento, who is reduced to a frumpy, grimy nonentity with bad hair and not much clothing. It's anyone's guess why she accepted this role at all, because she's virtually unrecognizable and utterly bland.
"Last Days" is a movie so soulless, so dull, so utterly staggeringly ghastly that it's actually painful to watch. Michael Pitt is the sole redeeming aspect of this movie, and even he can't save it.
never receieved I am yet to receive this product. I'm sure the movie is amazing, but I'm still waiting to get it.
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