I never figured out why Amy thought it would be such a tragic curse to put on Buffy that to get out of her coma she needed to be given a kiss by one who truly loved her. What's the difficultym just have someone kiss her who's in love with her! A real curse would have been that she couldn't wake until someone who *despised* her was persuaded to kiss her. They covered this thoroughly in Fairy Tales 1.02.
I also wonder why Andrew, our wonderful Andrew, is still stuck in his supernumerary job training potential slayers, as if any slayer worth her salt wouldn't rebel on learning she was expected to take classes from a twit, I wonder why Andrew's monologue about EMPIRE STRIKES BACK has him referring to "Billy D."--evidently some sort of sassy Andrew shorthand for "Billy Dee" (Williams, as Lando Calrissian), but why represent the two spoken words Billy Dee as Billy D.? May seem like a small thing but then again, so is the use Dark Horse is making out of Andrew. I guess they just have decided, he's going to be the Mr. Peepers of a new generation.
Buffy more than delivers ^ Buffy the Vampire Slayer Season 8, Issue 2 continues the tale after the destruction of Sunnydale. A giant Dawn is still uptight about her bossy slayer sister, Zander's now in charge of the organization, and a major plot point is revealed halfway through the issue. Amy is back, working with the government and lets say she's one taco short of a combination plate.
I really loved the cover art. This is one reason I didn't wait for the omnibus that is coming out in November. Plus, I couldn't handle waiting. I also like the twist in the relationship of Buffy and Zander. I hope Joss Whedon explores this issue more in future issues.
Buffy fans will be expecting a lot after seven stellar seasons on television and the success of the first issue of "Season Eight." So the question here is this: Does Issue #2 deliver?
In short, yes. I have to say though--there is so much going on, so many jokes, and so much foreshadowing that I wasn't able to completely enjoy the Jossy goodness until my second read. The first read intrigued me, but the second wow-ed me.
The plot continues directly from the previous issue. Amy (the former rat) is working with the government to take out Buffy and the slayers, and she has an army of zombies to back her up. The ending sequences are amazing--I'm already itching for May 2nd to come so I can get my hands on the third issue. There was a big revelation about half-way through the comic, and clues to who the Big Bad of the season will be as well. Giant Dawn is great, Buffy is true to herself, and Xander is playing the biggest role he's played since the first season.
This issue also re-introduces two fan favorites: Giles and Andrew. So, all in all, this issue is just as good as the first. But did anybody expect anything less? I mean, come on--Joss Whedon wrote it.
9/10
And the story continues ^ Warning: Thar be spoilers ahead!
Remember each week those exciting words (which alerted us that we were about to get a new exciting episode of the best show on TV)? "Previously on BUFFY THE VAMPIRE SLAYER . . . " The new comic series seems to be doing something along these same lines. On the inside of the outer cover are printed the following:
"This story takes place after the end of BUFFY THE VAMPIRE SLAYER Season Seven.
"The Slayer population of the world has gone from two to nearly two thousand. Almost five hundred are working around the world with Buffy's organization in squads--or "terrorist cells," according to the American military. Buffy, Xander, Dawn, and a passel of Slayers are currently bunked out in a Scottish castle, where the latest mission revealed a strange symbol carved into human bodies.
"Also, Dawn's a giant."
This may be a summary that is rewritten each month to reflect what has happened in the previous issues.
The first episode in Season Eight established the situation; this one begins moving the story forward. The U.S. military (or rather, a military leader who has on his chest the strange symbol referred to in the monthly summary) has authorized Amy the witch and her army of zombies to go after Buffy and her cohorts. After the story begins with three very different approaches to training the new slayers by first Giles, then Buffy, and finally Andrew (who actually couldn't be said to be training them at all) we find Xander explaining why Dawn took the form of a giant when it was possible she could have assumed other forms instead (obviously, she is trying to get her sister's attention in the most blatant manner possible). The catch is, does Xander really tell any of this to Buffy or is it all just part of what we later learn is a spell-induced sleep in which she experiences an unbroken nightmare. And in a fairy-tale twist she can only be awakened by the kiss of true love. We can, of course, imagine a line of possible candidates for that: Angel and Spike fighting to be first in line. Well, of course Buffy will be awakened, and sooner rather than later. Can't imagine her being asleep at the end of the next episode. The tricky part is how one defines "true love." That needn't mean romantic love. My gut tells me that the kiss won't come from any of the usual suspects. My money is on Dawn. Yeah, I know. No one likes Dawn. But the brute fact is that except for struggling to save her in Season Five, Buffy has been a truly awful sister. Not in a Cinderella step sisterly way, but in the completely neglectful, can't-spare-her-a-minute way. But early in Season Six, Dawn seemed to miss her more than anyone. Like I said, my money is on Dawn.
The issues ends with Buffy asleep, the castle under assault by hundreds of zombies they can't keep at bay, Amy gloating that she could handle slayers with ease, so there was no one there who could take her on. The final frame is of someone who says that they would "like to test that theory." And thus Willow makes her first appearance in the story.
I am going to say something that I don't think I can say often enough. I don't want Joss Whedon writing comics. I want him creating new television shows. I suspect he enjoys the control that a comic gives him. I am sure he is tired of battling studios and networks. I can understand that. But once the battles have been waged and the BS has been waded through, Joss Whedon has been able to create some of the most extraordinary, most timeless television that has ever been made. He needs to get back to it. That being said, I am so much happier with him doing BUFFY Season Eight than either his X-Men project or the Runaways (and mind you, I like both the X-Men and the Runaways). There are others who can tell further stories about the X-Men and the Runaways, but Joss Whedon is only one who can give us authoritative Buffy stories. So I am acquiring these with joy and my heart and impatience in my soul. But I want him back in television. We've had some great TV since BUFFY and ANGEL left the air. LOST, 24, VERONICA MARS, and especially BATTLESTAR GALACTICA have filled the huge gap BUFFY left at its departure. But LOST needs to start winding down (whether it will has to be seen), BATTLESTAR GALACTICA (the only show to completely match the brilliance that was BUFFY) has possibly only one more season left and at most two before Ron Moore brings his series to an end. 24 is definitely in decline. VERONICA MARS might be cancelled. In short, JOSS! WE NEED YOU TO COME BACK TO TELEVISION! But in the meantime, I'll wolf down every one of these issues.
Anything Goes Trivia
Last Kiss
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