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World Famous Comics: Basic Instinct - Director's Cut (Ultimate Edition)
Basic Instinct - Director's Cut (Ultimate Edition)
Starring: Michael Douglas, Sharon Stone, George Dzundza, Jeanne Tripplehorn, Denis Arndt
Directed By: Paul Verhoeven
Average Rating:4.00 out of 5.00 stars
Aspect Ratio: 2.35:1
Audience Rating: Unrated
Binding: DVD
Format: Closed-captioned, Color, Dolby, DVD-Video, Subtitled, Widescreen, NTSC
Label: Lions Gate
Number of Items: 1
Region Code: 1
Release Date: March 14, 2006
Running Time: 128 minutes
Theatrical Release Date: March 20, 1992

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Basic Instinct - Director's Cut (Ultimate Edition)
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Editorial Comments

Product Description:
This steamy thriller to end all steamy thrillers stars Michael Douglas as Nick a boozy San Francisco police detective who finds himself drawn to the prime suspect in a murder case--manipulative sexually uninhibited novelist Catherine Trammell (Sharon Stone). Catherine's latest book features a murder uncannily similar to the one Nick is investigating and as the pair engage in a mating dance of dangerous one-upmanship more murders occur all described in her current work about a boozy cop in love with a killer. Nick's psychiatrist (Jeanne Tripplehorn) and cop partner (George Dzundza) are both worried about him and Catherine s jealous lesbian lover (Leilani Sarelle) may be trying to kill him but Nick is just too turned on to care.Director Paul Verhoeven shows an admirable lack of restraint in this ludicrously enjoyable thriller a sort of postmodern noir with Joe Eszterhas s script coming off like Mamet by way of Penthouse. Stone and Douglas exhibit fine chemistry (and most of their bodies) and there's some lovely Bay Area scenery courtesy of cinematographer Jan de Bont (who went on to direct films such as SPEED and TWISTER). Wayne Knight (Newman from SEINFELD) and Mitch Pileggi (Skinner from THE X-FILES) are precinct heads who question Catherine in the infamous leg-crossing scene.Format: DVD MOVIE Genre: ACTION/ADVENTURE/THRILLERS UPC: 012236188483 Manufacturer No: 19688

Amazon.com:
The take-no-prisoners sex thriller from 1992 now stands as a milestone in the career of screenwriter Joe Eszterhas, but in the hands of director Paul Verhoeven Basic Instinct is an undeniably stylish and provocative study of obsession. In the role that made her a star (and showed the audience a little more skin than she intended), Sharon Stone plays the cleverly manipulative novelist Catherine Tramell who snares San Francisco detective Nick Curran (Michael Douglas) with her insatiable sexual appetite during the investigation of her boyfriend's murder. Tramell is the prime suspect, but the plot twists and turns until Curran is trapped in a dangerous cycle of dead ends and unsolved murders, never sure if Tramell is committing the crimes or if it is some other, unknown suspect. With a plot that keeps viewers guessing, Basic Instinct is the work of a director who is clearly in his element. --Jeff Shannon


Customer Reviews
Average Rating:4.00 out of 5.00 stars

3 out of 5 starsApart from All the Rest -- Sharon Saves Movie......
Ho Hum. Another Michael Douglas film whereby the puzzle's the thing, and your quest to have them reveal the answer creates more confusion for your brain cells. Not to say this isn't entertaining.
Michael is a detective who has been excessive in his self destruction (booze and cigarettes) and the department is keeping an annoying prying eye on him. Investigating a murder, he comes across the not caring one bit out of the mainstream Sharon Stone. She lives life on the edge, and he becomes more deeply involved with her as he tries to figure out the murder.
Sharon is called in for questioning, and it is there she exerts her full power and control over the men questioning her. I am surprised the department didn't have drool cups available. Anyway, sex and sin and alternate lifestyles and blond wigs figure into this whole mess. In the end, the cat and mouse game still doesn't get resolved because you are kept wondering who caught who?
The movie tries to give you intrigue, but doesn't always hit the mark. The camera, though, does hit the mark when Sharon is on screen, and she saves the movie on her own, without the wooden Michael Douglas and his phoned in performance. For curiosity seekers only.



5 out of 5 starsOne of my all time favorites.
Amazing movie from start to finish.
It starts with a bang (literally) and ends with one, once again literally.
My pathetic humor aside, excellent movie, Great acting, great story, great twists and turns. I remember the public outrage when this came out.
How funny, it seems almost tame by todays standards, or lack there of.
My only gripe.
Couldn't they have found a better leading man than Douglas?
Who wants to look at his saggy old man body?
That minor conplaint aside, one of the best thrillers Hollyweird has ever put out.
A must see!!!



5 out of 5 starsThe directors cut Generates Heat!
For the few extra minutes of footage, and the bonus features (to see Stone's real audition is worth it alone, it had to be her) this is worth it. The movie is still engaging after all these years, it's a mighty fine erotic thriller. The Directors Cut generates even more heat! Whew...



5 out of 5 starsOne of my favorites growing up
Paul Verhoeven has created a masterwork from Joe Eszterhas' controversial script. Several sex scenes become a leitmotif, as the participants appear to pummel, rather than love, one another with their nether parts. But the most rugged and the most erotic scene occurs between Detective Nick Curran, Michael Douglas, and his colleague, Beth Garner, portrayed by Jeanne Tripplehorn. He throws her against a wall and then against the back of a chesterfield. That is only the foreplay. In this film sex is violence, and that is Verhoeven's theme.

But there is more. Sharon Stone as Catherine Tramell has a beautiful blonde form in that Beach Boy / California girl manner. She plays her 'flashing' scene in the police interrogation room with wit and a touch of class. Throughout the film she is arch, intelligent, electric. Her foil, Nick Curran, a troubled detective, realizes she might be a murderer, but finds her personality and her allure, irresistible. Douglas' performance is driven, masculine, affecting ... yet he would be well advised to keep his trousers on henceforth, for his sagging bottom is simply too comical.

There are several echoes of Alfred Hitchcock's Vertigo (58). Both pictures have as a setting the picturesque San Francisco area. Jerry Goldsmith's music recalls Bernard Herrmann's symphonic score. The stairwell in Curran's apartment building resembles the vertiginous staircase of the Mission bell tower. And as with Hitchcock the dialogue is often simultaneously risque and humorous, although more vulgar in keeping with the tenor of modern times.

Eszterhas' script is carefully crafted, and it does not cheat. Life proves ambiguous at many levels, and so does art. The mystery is dark; the action, including a car chase, thrills; and the locale continually shifts, from a cop station to Catherine's lovely seaside house to a colorful bar where Catherine's jealous female lover and Curran engage in a sensual battle for her charms.

Day, night, sun, rain, streets, highways, scenery, ocean, sex, emotion, confrontations, death ... the film envelops everything, perhaps even love. Here, Verhoeven, Eszterhas, Douglas, Stone, have achieved some screen magic of the past



4 out of 5 starsVery Good BD Transfer
The PQ is very good for a 1990's release but I believe could have been better. The visuals is worth the money I paid.


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