Starring: Richard Burton, Claire Bloom, Mary Ure, Edith Evans, Gary Raymond Directed By: Tony Richardson Average Rating: Aspect Ratio: 1.66:1 Audience Rating: NR (Not Rated) Binding: DVD Format: Black & White, Closed-captioned, DVD-Video, Letterboxed, Subtitled, Widescreen, NTSC Label: MGM (Video & DVD) Number of Items: 1 Region Code: 1 Release Date: December 11, 2001 Running Time: 100 minutes Theatrical Release Date: 1958
Description: OscarÂ(r) nominee* Richard Burton delivers a passionate performance, and Mary Ure, ClaireBloom, Gary Raymond and Edith Evans give exciting stand-out portrayals (Los Angeles Times)in this powerful and engrossing motion picture (Cue) that bristles with brilliant dialogue (The Hollywood Reporter) and raw human emotion. Rage! His eyes blaze with it and his bodyseethes with it. Jimmy Porter is a man consumed by anger, and every moment he spends in the rank, suffocating squalor of the English factory town that entraps him, propels him closer and closer towards self-annihilation. But Jimmy's savage cruelty is not limited to himself. He also hurts the ones he lovesagain and again. And this time, he's about to commit an act so brutal, so destructive, that his wife Alison, her best friend Helena, and even Jimmy himself may not be able to survive! *Actor: The Robe (1953), Becket (1964), The Spy Who Came In From The Cold (1965), Who's Afraid Of Virginia Woolf (1966), Anne Of The Thousand Days (1969), Equus (1977); Supporting Actor: My Cousin Rachel (1952)
Amazon.com: Richard Burton was riding high in grandiose roles in Hollywood and on Broadway when he returned to Britain to portray trumpet-playing social dropout Jimmy Porter in Tony Richardson's adaptation of John Osborne's groundbreaking 1956 play. Burton's Jimmy works in a public market "sweet stall" where he rubs shoulders with the working class with a condescending air, while he takes out his contempt of bourgeois complacency at home on his spiritually whipped wife (a numb-looking Mary Ure) and her best friend (Claire Bloom). Burton is too old for the part of the self-loathing college grad, but his performance simmers with frustration and misdirected rage that masks the sad, vulnerable underside to his misanthropic swipes. The film became the opening volley in Britain's "New Cinema," a new wave of young directors, working-class themes, and social-realist style. --Sean Axmaker
Look Back in Anger Based on John Osborne's excoriating play, Tony Richardson's "Look Back in Anger" burst onto the screen in 1958 with piercing dialogue reflecting the stultifying state of the British lower classes. Richard Burton (in his prime) is electric as Jimmy, imbuing the malcontent with his own dark, scathing intensity. And Richardson evokes the Britain of cold-water flats and endless drizzle with a grim authenticity. Look for veteran stage actress Dame Edith Evans playing Mrs. Tanner, Jimmy's surrogate mother, and the only woman he trusts.
That's Acting There are great performances by many great actors. but Burton's portrayal of Jimmy Porter is in a class by itself----even with a stellar supporting cast Burton is impossible to catch and even the audience needs to hang on to keep up with the pace. One of the most memorable screen performances in the history of cinema.
interesting but overrated This is interesting as a period piece. The interest is not, however, in the somewhat untypical and sometimes unbelievable personalities portrayed, as in the streets, the houses, the clothes and some of the attitudes depicted. For example the class warfare, racial attitudes, and the fact that both Porter's wife and her actress friend, for all their sense of superiority towards Porter and the lower orders, (Porter acts similarly, with his own reverse snobbery) both easily and unquestioningly assume the fifties' feminine roles of ironing and folding clothes, and making meals. The children's games and demeanor are also typical of the times portrayed.
Both Porter and his wife are somewhat typical of their social class, although Porter is far more poetic in his verbal expression than anyone I ever knew back then, and far more emotional. He is domineering, controlling, and egotistical; he has a chip on his shoulder. His wife is unemotional, cold, snobbish, and unfeeling. It is no surprise that they don't get on.
He is too self-centred and doesn't enquire as to his wife's thoughts and feelings; he is too busy describing his own state. He does see that his wife lacks any strong feelings of her own, is merely unthinkingly conventional, and is too easily swayed by others,especially her folks and her friend. She is unhappy and unloved by him, but is all too ready to run away from the situation, and have her unborn child aborted (she doesn't abort because the doctor indirectly warns her not to). She is unwilling even to go with her husband to see his dying "ma" although he tells her he needs her to.
Porter is, like most of us I suspect, too willing to see his own imagined virtues and the weaknesses of others. This is good for the ego but very bad for human relations.
In the end they each realize their own faults. He sees that he is actually "slightly satanic" for example, and overcritical, and she sees that she is too vulnerable, dependent, and emotionally undeveloped. It takes a tragic event to bring them together. Things work out quite well in the end; they seem to each learn something valuable but much of the dialogue is stinted and unconvincing. All actors and actresses do a good job with the material provided.
Important to see Despite strong acting on the part of all, I didn't think that the film adaptation was entirely successful, due to the script and direction. It remains a filmed play. Burton being always so angry doesn't ring true. But the film remains something important to see - and see again. In comparison with the majority of films coming out today, the films of the '60s had something to say and the acting and writing in general were superior.
Gary Raymond The standout for me was this underrated handsome Brit who later wound up on "Rat Patrol" as Sgt. Moffitt. He plays Porter's pal who bears the anger and trumpet outbursts. Nice period piece. Always good to watch Claire Bloom,, too.
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