Amazon.com: There's no getting around a simple, basic truth: watching Lawrence of Arabia in any home-video format represents a compromise. There's no better way to appreciate this epic biographical adventure than to see it projected in 70 millimeter onto a huge theater screen. That caveat aside, David Lean's masterful "desert classic" is still enjoyable on the small screen, especially if viewed in widescreen format. (If your only option is to view a "pan & scan" version, it's best not to bother; this is a film for which the widescreen format is utterly mandatory.) Peter O'Toole gives a star-making performance as T.E. Lawrence, the eccentric British officer who united the desert tribes of Arabia against the Turks during World War I. Lean orchestrates sweeping battle sequences and breathtaking action, but the film is really about the adventures and trials that transform Lawrence into a legendary man of the desert. Lean traces this transformation on a vast canvas of awesome physicality; no other movie has captured the expanse of the desert with such scope and grandeur. Equally important is the psychology of Lawrence, who remains an enigma even as we grasp his identification with the desert. Perhaps the greatest triumph of this landmark film is that Lean has conveyed the romance, danger, and allure of the desert with such physical and emotional power. It's a film about a man who leads one life but is irresistibly drawn to another, where his greatness and mystery are allowed to flourish in equal measure. --Jeff Shannon
LAWRENCE This is the greatest film ever made.Yes, better than "Gone With The Wind", better than "Citizen Kane," better than... you name it. It has the scope and vision of an epic, which for me is still Hollywood's grandest contribution to the art form. Small pictures can have a more personal impact, but the epic cannot really be made in a studio built off of one's garage. Spielberg and company have probably destroyed the genre with their digital monkey business; the true epic requires large casts and locations that can fill the camera. Lean found his canvas in the desert. It is certainly the greatest desert film ever made. Curiously, the film doesn't date. This says a lot about its superb script and a cast that has never been matched for talent. Even small roles are played by leading actors of the stage and screen, many now forgotten but they were legends in their time. Claude Rains comes to mind, of course, but virtually every role is filled by the best British stars of the war generation. The cinematography is breathtaking, even today when we have all been everywhere through television. Bolt's script works, balancing the sweep of the epic structure with numerous moving, personal scenes between two or three characters. Then there is the music. What can one say. Surely it is one of the greatest and most memorable of all soundtracks, a haunting, powerful evocation of the Arab peoples. In terms of politics, the film is provocative, anticipating political correctness by some thirty years in its depiction of the clash of cultures. Lawrence himself was devoted to the cultures he visited, so the theme is built into this sensitive portrayal of a most extraordinary of men.
Lawrence of Arabia Owned this as video. Wanted the clearer Def of DVD.This a pic that is a classic, I watch and re-watch from time to time. No devotee of really great films should be without...
5 stars for movie, 4 1/2 stars for DVD The Columbia Classics Collector's Edition of "Lawrence of Arabia" is the best version on DVD.
I just discovered this film a few years ago, when the Superbit version was out of print and the Limited Edition was not only expensive, but was infamous for its inaccurate colors. I bought the single disc DVD, and was very pleased with it. However, it had no extra features.
Using various website reviews and side-by-side image comparisons, I have come to the conclusion that the Superbit version had the best picture quality (sound quality, I gather, is the same for all versions). The Columbia Classics version has very similar (if not equal) picture quality to the Superbit version. It also contains all of the same extras in the Limited Edition version, minus the replica booklet and DVD-Rom (the Superbit version had no extras, and neither does the single disc version). Therefore, the Columbia Classics version is best overall.
The only complaints that I have with this Columbia Classics version are that it uses false marketing to suggest that it is "Newly Restored and Remastered" (which it isn't, it's the same as the Superbit version) and one fault in the picture quality (the same for all versions, edge enhancement/ haloing around people.) These faults are minor, and this is still the best DVD version. However, I still detract 1/2 of a star for this.
Lawrence of Arabia This winner of 7 Academy Award including 1962 Best Picture is magnificent. The scenery breath taking,Peter O'Tool along with Omar Sharif Jack Hawkins,Jose Ferrer and Claude Rains together with all of the wonderful actors makes "Laqwrence of Arabia"one DVD worthy of a place of honor in our DVD collection
An Unlikely Masterpiece I find it amazing this movie was ever made. A three-and-a-half hour epic about a strange, masochistic, messianic, probably gay, possibly mentally disturbed British military officer having an identity crisis while going native & riding a camel back and forth in the desert in the wrong theater of a major war. I wonder how David Lean pitched this thing to Columbia Studios in the first place.
There is not one word of dialogue spoken by any female in the entire movie. The movie was made by a major American studio but is a decidedly British movie made by a bunch of Brits about a bunch Brits and Arabs in North Africa. The only American character is unnecessary, poorly written and poorly acted, almost as if on purpose. Certainly David Lean had a certain cache thanks to the success of The Bridge on the River Kwai and he used at least a few important actors in co-starring roles. However, his two main characters were played by two nearly unknown actors, Peter O'Toole and Omar Sharif. Both made their careers with their performances in this movie.
The script is a fictionalization of Lawrence's memoir, Seven Pillars of Wisdom, in which he gives his side of the story of his involvement in the North African theater in WW1. His account has been summed up by many historical scholars & contemporaries as debatable at best and simply a pack of lies at worst. In other words, a fictionalization of an unreliable source. As the title makes clear, the movie is about T. E. Lawrence in Arabia and not so much about the Arab revolt against Turkey.
O'Toole had very little screen acting experience when he starred in this movie. He had been a stage actor for some time & had appeared in a few movies. His performance as Lawrence is routinely cited as one of the greatest performances in any movie ever and often as the greatest performance in any English speaking movie. Not a bad day's work, eh? His blue eyes, reedlike frame and not particularly handsome but interesting face are arresting. O'Toole owns the screen and scenes not featuring him are noticable by his absence. He lost the Academy Award to Gregory Peck's model father in To Kill a Mockingbird. David Lean, the music and the Cinematography won. So did the sound, art direction, and the editing. The whole shebang won the best picture award. Omar Sharif was nominated and so was the screenplay. The script is astonishingly intelligent and thoughtful for a Hollywood movie.
If the movie suffers at all, it is from uninteresting and poorly delineated minor characters. Lawrence of Arabia concerns itself almost exclusively with a few major characters and lets the rest fight for the scraps. Fortunately, O'Toole, Sharif, Anthony Quinn, Anthony Quayle, Jack Hawkins, Alec Guinness, Jose Ferrer and Claude Rains deliver excellent performances.
The cinematography is stunning. The desert is the other major character besides Lawrence. It's vastness, beauty, danger and mystery are every bit as fascinating as the title character. The desert is a vast wasteland and a home to millions. A primordial landscape only somewhat tamed by a primordial people.
An epic that sprawls over thousands of miles of desert and features a cast of thousands, Lawrence of Arabia ultimately boils down to a fascinating character study and beautiful cinematography.
Anything Goes Trivia
Megaton Man
Tailipoe
Trevor
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