World Famous Comics: Thelonious Monk - Straight No Chaser
Thelonious Monk - Straight No Chaser
Starring: Thelonious Monk, Nica De Koenigswarter, Barry Harris, Bob Jones (IV), Johnny Griffin Directed By: Charlotte Zwerin Average Rating: Aspect Ratio: 1.33:1 Audience Rating: PG-13 (Parental Guidance Suggested) Binding: DVD Format: Color, DVD-Video, NTSC Label: Warner Home Video Number of Items: 1 Picture Format: Academy Ratio Region Code: 1 Release Date: January 30, 2001 Running Time: 90 minutes Theatrical Release Date: 1988
Product Description: Thelonious Monk: Straight No Chaser. Filmmaker Bruce Ricker couldn't believe his luck. Michael and Christian Blackwood's extensive 1968 footage of the groundbreaking modern jazz pianist and composer Thelonious Monk including the only footage of the very private Monk off stage was in excellent condition. The reels were in Ricker's words "just sitting there like the Dead Sea Scrolls of jazz." Ricker as co-producer joins director and fellow producer Charlotte Zwerin (Gimme Shelter) executive producer Clint Eastwood and others to bring these scrolls to astonishing life. Their Thelonious Monk: Straight No Chaser combines the Blackwood's rare footage of Monk in studio on tour and behind the scenes with new interviews archival photos and more to create a landmark aural and visual treat.Tunes in order of appearance: Evidence; Rhythm-a-ning; On the Bean; Round Midnight; Well You Needn't; Bright Mississippi; Blue Monk; Trinkle Tinkle; Rhythm-a-ning; Ugly Beauty; Ask Me Now; Just a Gigolo; Crepuscule with Nellie; I Should Care; We See; Osaka T.; Evidence; Epistrophy Don't Blame Me; Ruby My Dear; I Mean You; Lulu's Back in Town; Off Minor; Pannonica; Boo Boo's Birthday; Misterioso; Monk's Mood; Sweetheart of All My Dreams; Round Midnight. Year: 1988 Director: Charlotte ZwerinFormat: DVD MOVIE Genre:Â DOCUMENTARIES/MISC. UPC:Â 085391189626
Amazon.com essential video: This exemplary documentary about seminal jazz pianist and composer Thelonious Monk reaps the benefits of multiple blessings, including the skilled editorial hand of director Charlotte Zwerin and the patronage of executive producer (and erstwhile jazz pianist) Clint Eastwood. Most vital is the use of extensive 1968 footage, shot by Michael and Christian Blackwood, documenting the sometimes moody, sometimes puckish Monk in the studio, on tour, and off stage, which on its own would make this essential jazz viewing.
In post-World War II America, few cultural upheavals matched bebop for sheer exhilaration. Spawned by jazz musicians whose paydays typically came with larger swing ensembles, bop was as much bastard as stepchild, refining the technical ambitions of its parent while breaking free of swing's formalism to play fast and loose with harmony, melody, and tempo. That mercurial spirit made heroes of high-flying, technically flamboyant players like Charlie Parker, Dizzy Gillespie, and Bud Powell. Monk, by contrast, was as distinctive for his silences, crafting often skeletal melodies distinguished by unexpected, skewed harmonies. At one point dubbed the "high priest of bebop," he was more Zen archer, threading notes, warping chord structure, or stabbing "wrong" keys with a seeming looseness that in hindsight sounds as precise as haiku.
Thelonious Monk: Straight, No Chaser provides an intelligent portrait of this often reclusive, sometimes difficult artist, including telling glimpses of his volatility. A stormy studio session with Teo Macero, then Columbia Records' preeminent jazz producer, speaks volumes about Monk's very private approach to his muse. Perceptive interviews and glimpses of Monk's sunnier moments provide added depth, yet the real triumph is the generous catalog of classic Monk songs captured on camera. --Sam Sutherland
Monk Done with class, Clint has done it again. It even has spot shot of Rasham Rollin Kirk. Nice Documentary
Portrait of an Artist I don't think the filmmakers who shot this footage set out to make this film. I think they set out to make another film, but they made this one for better or worse. Thelonious Monk's "eccentricities" were well known to his fans, but this film shows more than just eccentric behavior.
In the vein of eccentric behavior, a friend of mine told me about seeing Thelonious Monk live at Shelly's Manne Hole in Hollywood back in the late 1960's. It was a rare appearance for Monk in L.A. and it was not long afterward that the Manne Hole closed, as I recall. He said that Thelonious stopped playing in the middle of the set and got up from the piano and began to spin around in a slow circles like a dervish. My friend showed me how Monk did it.
My friend said he was disappointed. He didn't pay to see Monk dance; he wanted to hear him play piano. But I didn't give it too much thought at the time. It seemed harmless, eccentric.
About fifteen years ago, I first saw "Straight, No Chaser." It was a shock to see Monk doing what my friend described so long before. It looked much more ominous than his description. There was one shot of him where he was spinning around and his eyes momentarily went dull for half a second as if he had a mild stroke or seizure. Even more shocking was how poorly Monk was functioning at times as he appeared in this movie. Although I'm not a physician, the word "brain tumor" just leapt into my mind. That he died of a cerebral hemorrhage confirms my guess. It was so shocking that I think I missed most of the film
I recently saw this film again. The commentary by Monk's son was most poignant in describing his own childhood, coping with Monk's strange behavior and hospitalizations. It didn't sound to me as if anyone really understood what was wrong with Monk at the time.
Rethinking this film's significance: what Monk accomplished --- impressive as it was --- is even more impressive when you think that while he was writing and performing, in the background, was this thing destroying him inside his own head. He was struggling and straining to keep going against odds that were gradually slipping away from him. Every day, life got just a little harder for him. The effort eventually overcame him. No wonder he stopped playing.
Monk was lucky in leaving his unique music as his legacy under these circumstances. He was also lucky in having married Nellie. She was a great woman who clearly kept him going and loved him and took care of him. We were lucky that he married Nellie as well for those same reasons.
The music choices were well placed and add to the bittersweet quality of this video portrait. There was always the playful quality of Monk's music, in a way reminiscent of Erik Satie, but deeply rooted in the blues.
The film does have a few comic moments. The business where they had shipped a trunk full of empty Coke bottles halfway around the world in order to return them for deposit, struck me as hilarious. I guess you had to grow up in an earlier era for that one. Also, the "Copenhagen pants" and the "chicken livers" scenes were pretty funny.
The exact medical facts will probably never be known. But this is a story of a great artist---and may I add, a good man---who suffered a terrible and tragic fate.
A Decent Documentary About Monk "Straight, No Chaser" is a decent documentary, but what it fails to do is talk about the music and even less about the history of Monk. Yeah, it has rare performances never before seen, but this doesn't constitute a good film. It's only icing for the cake, but there's not a cake here. I felt it was a rather empty look into his history. I mean everybody who listens and are fans of Monk know where he was born at and how he started playing at a place called Minton's where he met and played with Dizzy and Parker. I would have liked to hear more about his own compositions and how they changed the history of jazz. Interviews with people like Johnny Griffin, Sonny Rollins, Ben Riley, Art Blakey, and other musicians who were more involved with the music making process would have been much more informative than simply interviewing family members and road managers. This may be okay for some people, but it didn't really sit well with me. I actually found these interviews really boring and lacking any kind of character.
I will also say the documentary wasn't really well thought out. It seemed really scatter brained for lack of a better term. At one point, Monk is laying in bed asking for chicken livers, then the next he's playing out live. It's just really a mess of a documentary that really makes no sense. The historical value of the whole thing is incomplete. There is also no focus on his music of the 50s. It seems that his 60s quartet is getting all the press and unfortunately this is what makes this so frustrating, because Monk has made alot of music before he met Charlie Rouse, Larry Gales, and Ben Riley. As great as those musicians are, Monk was blazing trails way before he met those guys.
There are some parts of this film that are priceless like the scenes where he is in the studio recording "Ugly Beauty" for his album "Underground." That to me is something that was unique and different to see, but for me there wasn't enough of this kind of footage to make it worthwhile.
I will only recommend this documentary to hardcore fans of Monk, but if you're new to his music and want to hear more about his music or see him pick up the DVDs "Thelonious Monk: American Composer" or "Jazz Icons: Live in '66."
Thelonious Monk - Straight no Chaser For all Jazz aficionado this should be part of their library. To understand one of the most complex minds from Jazz Music.
Thelonious Monk - Straight, No Chaser It's hard to imagine a more fitting tribute to the late, great Monk, an innovative stylist who penned "Round Midnight" and exerted a tremendous influence on Charlie Parker, Dizzy Gillespie, John Coltrane, and others. That's largely due to the copious rare footage of Monk, whose bizarre antics we witness on the road and in recording studios. His mumbling musings and anxious tics leave the impression of a mentally unstable man, and it is likely that his tempestuous nature was due to manic depression. But mostly, we hear and see this master keyboardist at work, most notably in a famous 1968 concert filmed by Christian Blackwood. Produced by Clint Eastwood, "Straight, No Chaser" is a respectful genuflection to an unusually gifted musician.
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