Book Description: The Screenwriter's Bible is six books in one. Book 1 -- A screenwriting primer that provides a concise presentation of screenwriting basics. Book 2 -- A workbook that walks the writer through the writing process, from nascent ideas through revisions. Book 3 -- A formatting guide that presents correct formats for both screenplays and TV scripts. Book 4 -- A spec writing guide that demonstrates today's spec style through sample scenes and analysis. Book 5 -- A sales and marketing guide that presents proven strategies to help you create a laser-sharp marketing plan. Book 6 -- A resource guide that provides addresses and contacts for industry organizations, schools, publications, support groups, services, contests, etc. Among its wealth of practical information are sample query letters, useful worksheets and checklists, hundreds of examples, sample scenes, and straightforward explanations of screenwriting fundamentals. The "Bible" was a featured selection of The Writer's Digest Book Club.
Amazon.com: How does a spec script differ from a shooting script? What kind of fasteners should one use to bind a script? How did the term MOS come to mean without sound? You'll find the answers to these pressing questions and much more in David Trottier's eminently usable Screenwriter's Bible. The avuncular Trottier--a writer-producer, script consultant, and seminar leader--has written a friendly guide through the Hollywood morass. He touts it as six books in one: it's "a screenwriting primer, a screenwriting workbook, a formatting guide, a spec writing guide, a sales and marketing guide, [and] a resource guide."
Much of Trottier's advice is common sense: "Don't write anything that cannot appear on the screen"; to keep casting options open, don't make your physical descriptions too specific; "don't say Ron Howard is looking at the project if he is not." But there are things to know about Hollywood that are, well, quirkier. Don't write the title of your script on the front cover or side binding; present action sequences using the "stacking action" style; in query letters and scripts alike, avoid "big blocks of black ink." Trottier's guidance--from character development and revision to queries and pitches--is invaluable. Getting in the door can seem impossible, but it's not, necessarily. "If you write a script that features a character who has a clear and specific goal," says Trottier, "where there is strong opposition to that goal leading to a crisis and an emotionally satisfying ending, your script will automatically find itself in the upper five percent."
(By the way, MOS is said to have "originated with German director Eric von Stroheim, who would tell his crew, 'Ve'll shoot dis mid out sound'"). --Jane Steinberg
Well Worth The Money..and More This book is well worth the money, and more. An excellent beginning screenplay writer's guide. Combine this with Robert McKee's book Story: Substance, Structure, Style and The Principles of Screenwritingy and you have a heck of a learning tool.
Could be better than film schools. If you are thinking of enrolling in a film school to study how to write scripts, GET THIS BOOK FIRST. You might save a lot of money. This book has everything. It's easy to read. I wish I'd found this book before wasting tons of money on U*LA.
EVERYTHING BOOK IS Nothing but snipets and meager barely at all format guide. Screenwriters Bible?
This is what your girl friend would give you in her return visit from the library; she would "make you a tape"; she would go to the library, get a whole bunch of things that have the label "screenwriting" and shove them in this little file when she heard your going to be screenwriting.
I honestly thought that this thing would be a large book that deals exclusively with script format.
The truth is that this guy basically went to the Screenwriters section in a library, tore out a whole bunch of pages from everything he could get his hands on and shoved it into this little book.
It is everything and nothing at all.
Sorry. If you dont have access to many things as is, if you dont have access to a library, a book store, the internet, if you are in the Amazon Jungle where no signs of life exist for hundreds of miles, then this might be the best book out there.
If you are truly void of all resources, cannot get your hands on anything in regards to Screenwriting, this collage of snipets from everything under the sun might be for you.
One of the most useless books out there. (But then again, so are most screenwriting books).
Not the best for Format. Thats for sure.
Average This book is most helpful on formatting tips, story arc and how things look on a screenplay. That aside the book isn't entirely necessary because of screenplay writing programs such as Final Draft or Screenwriter which tackle the formatting and appearance issues so the writer doesn't have to. Also, don't take a lot of the advice and "rules" Trottier gives and lays out too seriously or set-in-stone because it's all coming from a guy who hasn't sold a single screenplay all his own. He's a teacher and the old saying, "those who can't do, teach," definitely applies to this guy. If you want to learn the screenwriting craft, reading this book certainly does not hurt one bit; so, pick it up and draw your own conclusions.
The Most Practical Book on Screenwriting Basics THE SCREENWRITER'S BIBLE, in one volume, comprises six substantial guidebooks:
Book I: How to Write a Screenplay--A Primer; Book II: 7 Steps to a Stunning Script--A Workbook; Book III: Proper Formatting Technique--A Style Guide; Book IV: Writing & Revising Your Breakthrough--A Script Consultant's View; Book V: How to Sell Your Script--A Marketing Plan; Book VI: Resources and General Index.
The book's large format 386 pages, eleven by eight-and-a-half inches, would equal at least 600 pages in the more common format of nine-by-six inches.
Book I: How to Write a Screenplay. Aptly subtitled a primer, it presents a compact introduction to screenwriting. In particular, Trottier focuses on the three-act structure with six key turning or plot points: the catalyst; the big event; the pinch (or midpoint); the crisis (low point); the showdown; the realization. Throughout, the author includes examples from well-known films.
Book II: 7 Steps to a Stunning Script. This workbook includes 25 checkpoint lists and a character/action grid.
Book III: Proper Formatting Technique--A Style Guide. "The spec script is the selling script, sometimes called the writer's draft. You write it with the idea of selling it later or circulating it as a sample. Once it is sold and goes into pre-production, it will be transformed into a shooting script, also known as the production draft. The spec-script style avoids camera angles, editing directions, and technical intrusions" (page 114). To illustrate formatting a spec script, Trottier includes his humorous three-page script "The Perspicacious Professor." This book convinced me to use the author's software "Dr Format" instead of "Final Draft."
Book IV: Writing & Revising Your Breakthrough--A Script Consultant's View. Trottier provides tips on "how to direct the camera without using camera directions" and exercises, based on his clients' scripts, to guide reader in revising to current spec-writing style.
Book V: How to Sell Your Script--A Marketing Plan. In addition to numerous suggestions on marketing, Trottier cautions screenwriters to protect their works. "Registering one's copyright and displaying the copyright notice on the script's title page is no longer seen as something done by paranoid writers." Writers Guild of America will register one-page synopsis, longer treatments, as well as draft(s) of a screenplay.
Book VI: Resources and General Index. This book includes several lists containing "carefully selected entries." I promptly looked up the first entry: "Updates to The Screenwriter's Bible" on the author's website... and found a useful tip on formatting as well as revisions on one of the exercises in Book IV. Presumably these changes will be included in the next edition.
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