World Famous Comics: The Chronicles of Conan Vol. 3: The Monster of the Monoliths and Other Stories
The Chronicles of Conan Vol. 3: The Monster of the Monoliths and Other Stories
By: Roy Thomas Publisher: Dark Horse Average Rating: Binding: Paperback Label: Dark Horse Number of Items: 1 Number of Pages: 156 Publication Date: February 11, 2004
Product Description: This is the third volume in a series collecting the early Conan comic book stories by Roy Thomas and Barry Windsor-Smith. Originally created in the 1930s, Robert E. Howard's Conan the Barbarian has survived to emerge as one of this century's most powerful and popular characters. Even more impressive than the character's lasting appeal over the past seven decades, is the caliber of talent involved in all of the various Conan incarnations. Of those, there are few that speak as clearly and as uniquely as artist Barry Windsor-Smith. Over the course of these early stories, Windsor-Smith's stunning evolution from comic-book cartoonist to full-fledged artist is apparent and thrilling to behold.
Super Reader A crossover! Conan meets Elric, to fight Prince Gaynor the Damned, and the Green Sorceress. Not too bad either.
Thomas also throws in a homage to Fritz Leiber's Fafhrd, for one.
Gil Kane actually drew some of this, in the adaptation of a non-Conan story of Howard's.
As before, Thomas' afterwords are very interesting.
More Conan! As in my previous reviews of this series, my only complaint is that they did not reprint the original comic book covers. Other than that, the art and storys are great!
I have to surrender While the coloring in this book is a little better than the last one it's still too heavy handed and still obscures the line work ruthlessly, exploiting the art to serve as backdrop for overrendering yet again. My suggestion is to buy the Conan Saga magazines (these came out in the late 80s and are still available to those who know how to look) with beautiful black and white line reproduction over these volumes if you want to get a better feel for why this series was such a critical success when they first appeared. Even as they too suffer a bit from bad reproduction from time to time at least the art is there to admire making the stories easier to access. What's sad about these volumes is the fact that with printing this nice and production qualities so advanced the editors had the chance to really produce some serious, quality reproductions in these collections. Also, for Roy Thomas to comment on these stories as if these were the definitive showcase for the talent that was is depressing. Maybe, MAYBE one day someone will give these stories the treatment they deserve.
Hither came, Elric, of Melnibone. "The Monster of the Monoliths and Other Stories (Chronicles of Conan, Book 3)" continues the amazing Roy Thomas/Barry Windsor-Smith (and now Gil Kane) run on Marvel's "Conan the Barbarian." This collection presents issues #14-15 and #17-21.
The most exciting aspect of this volume is the infamous Elric of Melnibone crossover, that arcs through issues 14 and 15. The originals are quite hard to find, and having them collected is a treat. Elric, a dark creature of magic and Conan, a straightforward earthbound barbarian, make strange bedfellows, but the story is one of the best, bringing back Zukala and his daughter from issue #5, although they are now much changed as Thomas and Windsor-Smith have matured far beyond the early Kirby-influenced style of storytelling.
When Gil Kane takes over the artwork with issue #17, it is a jarring change from Windsor-Smith's delicate pencils. While an excellent artist, his work is more suited to the superhero genre than Conan. Adapting a Turlogh Dubh O'Brien yarn, "The Gods of Bal-Soggoth," into a Conan story works very well, and the Irishman easily becomes a Cimmerian. The giant Vanir Fafnir, who is an occasional player in the Conan series across the years, makes his first appearance here, and the two tackle an ancient city ruled by falsehoods and old gods.
Windsor-Smith reappears in issue #20, taking Conan and Fafnir into a Hyrkanian war, where Conan shows that he is much more than brute strength and sword-skill. His intellect is allowed to come out to play, as he navigates a castle raid.
All three story arcs are top-notch comic book storytelling, with the writer and artist working together in seamless harmony. They really have the "feel" of Robert E. Howard's Conan, more so than any other adaptation or pastiche. Any fans of Conan or just good comics should have this volume in their collection.
Conan's encounters with Elric and the Hyrkanian War "The Monster of the Monoliths and Other Stories," Volume 3 in "The Chronicles of Conan" reprints issues #14-15 and 17-21 of Marvel's "Conan the Barbarian." Actually, the term "reprint" is not exactly accurate because beyond allowing us to enjoy these classic comic books without taking them out of the protective plastic in which they are sealed, these issues have been recolored using computers to make them even better (clouds and shadings are not big time fun). True, I thought they went a bit too far when they colored the epilogue of "The Black Hound of Vengeance" (#20), but overall the effects are quite impressive, especially since the paper stock in this Darkhorse publication is of vastly superior quality to what these stories were printed on back in the early 1970s.
Basically "The Monster of the Monoliths and Other Stories" can be divided into three sections. First, there is the two-part adventure involving Robert E. Howard's Conan of Cimmeria and Michael Moorcock's Elric of Melnibone. Conan meets up again with Zephra and her father, the wizard Zukala from issue #5. The two sword and sorcery heroes from different words meet and after fighting each other in the first issue fight together against the Green Empress of Yagala in the second. Gil Kane's first pair of "Conan" stories is adapted by Thomas from Howard's story "The Gods of Bal-Sagoth." At the start of issue #6 there had been a quick little homage to Fritz Leiber's Fafhrd and the Gray Mouser when Conan interrupts a couple of thieves named Fafnir and Black Rat (the story was originally about Howard's hero Black Turlogh O'Brien and his pirate captor Wulfhere). Conan learns Fafnir is still alive and after their initial fights the two become brothers in arms for most of the rest of this volume. This first adventure has them helping the goddess Aala (a.k.a. the young girl Kyrie) regain her thrown and then dealing with the inevitable monsters and volcanic eruption.
The last trio of stories represents the beginning of Barry Windsor-Smith's final run on "Conan the Barbarian." "Hawks from the Sea" finds Conan and Fafnir involved in the siege of Makkalet by the armies of Tur1n, under the command of Prince Yezdigerd, son of King Yildiz. Conan gets to experience the Hyrkanian War from both sides, doing a mission to the Turanians in "The Black Hound of Vengeance" and then switching sides to encounter "The Monster of the Monoliths," which is inspired in part by REH's "The Black Stone." The prime interest, however, is how Windsor-Smith's artwork continued to evolve, and the marked differences we seen after a few months off of drawing "Conan," especially knowing what is yet to come in the Volume 4 is even better. Thomas' storytelling has improved as well and one of the chief joys of reading these volumes has been to see how well these stories have stood up over time.
Thomas writes a "Behind the Swords" essay that appears in the back of this volume and which talks about the history of each of these issues. He also points out the Kane's issues of "Conan the Barbarian" actually outsold what the celebrated Windsor-Smith issues had done to that point. More interesting are the recollections of how Windsor-Smith would draw things and then Thomas would have to make it work with the story and how the final pages of issue #19 were colored without being inked (which explains why they look so inferior). Thomas spends about as much time explaining the reasons why, for example, the last issue is inked by Dan Adkins, Craig Russell, Val Mayerik, and Sal Buscema, as where they got the ideas for various stories. The only serious complaint with these trade paperbacks is that the original covers are not included, which will be a particular shame when we get to the next volume and the conclusion of Barry Windsor-Smith's run on this landmark comic book.
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