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World Famous Comics: Warlock (New York Review Books Classics)
Warlock (New York Review Books Classics)
By: Oakley Hall
Publisher: NYRB Classics
Average Rating:4.50 out of 5.00 stars
Binding: Paperback
Label: NYRB Classics
Number of Items: 1
Number of Pages: 488
Publication Date: November 21, 2005
Release Date: November 21, 2005

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Warlock (New York Review Books Classics)
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Editorial Comments

Product Description:
Oakley Hall's legendary Warlock revisits and reworks the traditional conventions of the Western to present a raw, funny, hypnotic, ultimately devastating picture of American unreality. First published in the 1950s, at the height of the McCarthy era, Warlock is not only one of the most original and entertaining of modern American novels but a lasting contribution to American fiction.

"Tombstone, Arizona, during the 1880's is, in ways, our national Camelot: a never-never land where American virtues are embodied in the Earps, and the opposite evils in the Clanton gang; where the confrontation at the OK Corral takes on some of the dry purity of the Arthurian joust. Oakley Hall, in his very fine novel Warlock has restored to the myth of Tombstone its full, mortal, blooded humanity. Wyatt Earp is transmogrified into a gunfighter named Blaisdell who . . . is summoned to the embattled town of Warlock by a committee of nervous citizens expressly to be a hero, but finds that he cannot, at last, live up to his image; that there is a flaw not only in him, but also, we feel, in the entire set of assumptions that have allowed the image to exist. . . . Before the agonized epic of Warlock is over with—the rebellion of the proto-Wobblies working in the mines, the struggling for political control of the area, the gunfighting, mob violence, the personal crises of those in power—the collective awareness that is Warlock must face its own inescapable Horror: that what is called society, with its law and order, is as frail, as precarious, as flesh and can be snuffed out and assimilated back into the desert as easily as a corpse can. It is the deep sensitivity to abysses that makes Warlock one of our best American novels. For we are a nation that can, many of us, toss with all aplomb our candy wrapper into the Grand Canyon itself, snap a color shot and drive away; and we need voices like Oakley Hall's to remind us how far that piece of paper, still fluttering brightly behind us, has to fall." —Thomas Pynchon


Customer Reviews
Average Rating:4.50 out of 5.00 stars

4 out of 5 starsA Fine Read
Occasionally talky, but overall a real page-burner! Rustlers, gunfighters, gamblers and whores, and plenty of rottin' tootin' action! This book was a favorite of the late Richard Farina's ("Been Down So Long it Looks Like Up to Me"), as well as a favorite of Thomas Pynchon's. Highly recommend!



4 out of 5 starsonly the beginning
Warlock is the first in a trilogy by author Oakley Hall, the second novel in the trilogy being Badlands, followed by Apaches. I was simply awed by the writing of Mr Hall, and the universal human truths he reminds the reader of. I can see that more than a few writers must have read Oakley Hall's novels, most especially Cormac Mccarthy. Warlock was published in 1958, and Badlands was at least 10 yrs later, followed by Apaches, which was at least another decade later. Mr Hall also does the fine Ambrose Bierce series of novels, and with a career spanning 5 decades, he is still underated and underapreciated by the general public. do yourself a favor and discover this most excellent writer.



4 out of 5 stars4 and 1/2 stars, actually.
back in 1958 it seems that an excellent book like this could actually be a finalist for the pulitzer prize (which this was). nowadays, gender and racial political correctness would put a squash to any such justice. oh, well. anyway, i have not consumed a lot of westerns in my reading days. 9 of them, if i have counted correctly. "warlock," by oakley hall, is my 2nd favorite of the lot (1st place going to "true grit," by charles portis). mr hall's book is a vastly superior reading experience than cormac mccarthy's "blood meridian," which has been touted by many as the best western out there. "warlock" embraces both the cliches of the western and the prototypes of its characters, while at the same time being anti-cliche and turning prototypes on their heads. how can this be? i don't know. it just is. i'm not smart enough to figure out or put into words the whys and the hows. here's my advice: read the thing.



5 out of 5 starsMore than it seems, as magical as the title
Like Lonesome Dove and Deadwood, Warlock takes the western genre and refuses all the cliches, creating the possibility of actually understanding history in the terms of men, women, their frailties, and the power of the land. It goes beneath the obvious surfaces, reweaves actual history, and adds a level of writing expertise that makes it an American classic along the lines of what Hawthorne does to the Gothic in The Scarlet Letter. I couldn't put it down. In it, you see the roots of McMurtry's work and Deadwood, and even intersections with John Ford. For those who love the Western, you must read it. For those, like Pynchon, who want to groove on characters, sentences and a fictional world made vivid and compelling, check it out. A wonderful, satisfying and heartbreaking read.



5 out of 5 starsmaize
Page 408 of Warlock contains the following:

"Men are like corn growing. The sun burns them up and the rain washes them out and the winter freezes them, and the cavalry tramps them down, but somehow they keep growing. And none of it matters a damn so long as the whisky holds out."

I don't usually read books that talk about whisky and cavalry, but this one was really good. Although a lot of the writing is like the quote above, the plot is a fairly sophisticated examination of the practical complexities of human morality. At first glance, the two main characters seem to be from the wild west boilerplate, one good guy and one bad guy. But the good and the bad are close friends, and they actually identify with each other qutie a bit. There's also an ugly guy who turns out to be the closest thing the book has to a hero. In contrast to the standard cowboy-movie theme, the characters struggle with the difficulties of figuring out what it would even mean to be good, bad, or ugly in a place that has no real laws and exists permanently on the brink of extinction. Apparently the book was made into a movie, but I would bet that it didn't translate well.


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