Amazon.com essential video: Director Richard Lester strikes the perfect balance between slapstick and swashbuckling swordplay in this whimsical adaptation of Alexandre Dumas's grand adventure. Michael York, all innocence and wide-eyed chivalry as young D'Artagnan, makes quite an impression on his first day in Paris: he challenges all three of the legendary Musketeers to a duel, then joins them in arms against the cardinal's soldiers. The worldly rascals, led by Athos (Oliver Reed), who hides his brooding past behind a sarcastic wit, adopt the young hero. Soon D'Artagnan is stealing hearts and stealing food with equal aplomb as he joins their campaign to defend the queen (Geraldine Chaplin) against a plot devised by the scheming cardinal (Charlton Heston) and his cold-hearted accomplice Milady de Winter (Faye Dunaway). Richard Chamberlain's Aramis, the trio's Don Juan and resident man of God, and Frank Finlay's fun-loving hedonist Porthos round out the Musketeers, while Christopher Lee's sneering Rochefort executes the cardinal's wishes as commander of the church's soldiers. Other members of this talented cast include Raquel Welch as the beautiful but disaster-prone seamstress to the queen, Spike Milligan as the beauty's jealous husband, Roy Kinnear as D'Artagnan's bumbling servant, Planchet, and Jean-Pierre Cassel as the clueless king. George MacDonald Fraser's rollicking screenplay combines boisterous adventure and roguish humor with marvelous characters, and Lester's dynamic direction turns it into one of the greatest comic swashbucklers of all time. Followed by The Four Musketeers, which continues the story in a darker vein. --Sean Axmaker
Spaghetti Western or Hamburger Musketeers ? This remake of the old black and white film adaptation of Alexandre Dumas's « The Three Musketeers » misses the main point of the book, maybe even two main points. It misses the gallant courtly politeness that is nothing but hypocrisy in the mouth of Cardinal Richelieu who appears as a bad loser when he is an elegant plotter who never loses because his short term defeat is a victory in the long run, a victory of the main political objective of his that the film misses completely. In this 17th century, with King Louis XIII, the father of the Sun King Louis XIV, the French state is starting to centralize and to conquer real state power, hence to move out of feudal allegiances that are too vague, loose and easy to betray to build a modern state on. And what is essential in this situation, the autonomy of the Queen from a weak-looking and yet strong-willed King, is not captured for what it is : the source of a civil war later on because she will be the last Queen to try to impose her will to the King and the State, and for three centuries women will be out of politics in France, except a marginal presence on the left, and that is still true : France was the last western country to grant the right to vote to women, apart from Switzerland, France was one of the last European countries to grant them the right to contraception and that was conquered thanks to a Jewish woman turned minister in the 1970s, and women are still second fiddle in Parliament, the Government, top administration and business. And when I say second fiddle, I wonder if it is not twentieth string-scratcher. It is a shame this film does not understand this element with which the extremely reactionary and conservative Alexandre Dumas agreed at least 200%, to the point of making the Queen dependent on a bunch of braggards, the King's Musketeers.
Dr Jacques COULARDEAU, University of Paris Dauphine & University of Paris I Pantheon-Sorbonne
If you want to have a great time then see this Film!!! This is the standard for all other Musketeers films. (Save your time as they are generally not worth the time & money) If you want to see and get the feel for what the 17th century was like then this is the place to go. It is obvious that the high power cast and the staff was having blast while doing a labor of love.I can not recommend this classic too highly! A well done to all hands especially for the DVD Version.
ALL FOR ONE AND ALL FOR FUN Richard Lester's refreshingly breezy adaptation of the Dumas classic is one of the best interpretations of this venerable classic. He combines the elements of swashbuckling swordplay with the satirical buffooneries of the Pink Panther movies. Michael York, scrawny yet efficient, plays D'artagnan with a youthful exuberance. Raquel Welch is hilarious as the bumbling, accident prone Constance, and Spike Milligan is likewise a hoot as her aging and lustful husband. The Musketeers are played by Oliver Reed, Frank Finlay and Richard Chamberlain, and are dashingly heroic, if a little out of shape? Faye Dunaway is cold and calculating as the Lady DeWinter while Geraldine Chaplin is quite coquettish as the Queen. Rounding out the marvelous cast are Charlton Heston, Christopher Lee, Simon Ward and Jean Pierre Cassel. Lester filmed this and its sequel (The Four Musketeers) at the same time, but the studio opted to go with a sequel as the whole movie would have been too long. They are both fine films, although the follow up is a little darker in tone. Well worth viewing for a good time.
The Three Musketeers Set in 1500's France, a young Gaston named D'Artagnan (Michael York) leaves his family with hope of becoming the king's musketeer. After facing humiliation in his daily exploits, he inadvertently offends three musketeers at different times and each force him to duel to the death the next day (the musketeers: Athos is Oliver Reed, Porthos is Frank Finlay, and Aramis is Richard Chamberlain). However, they all form an alliance after being forced to fight off the Cardinal's authority. Soon after, D'Artagnan falls in love with his landlord's beautiful wife Constance (Raquel Welch) and finds that the Duke Of Buckingham (Simon Ward) is in love with subtly somber The Queen Of France (Geraldine Chaplin). When the Duke and the Queen meet, the Queen gives the Duke her diamond necklace so he can remember her. A spy is pertinent, sees their exchange and reports it to Cardinal Richelieu. Cardinal Richelieu (Charlton Heston), a delicately ominous figure, wants nothing but to take control of France from the King, and the queens missing diamonds are a good opportunity for him to cause the king trouble. It's up to D'Artagnan and the musketeers to return the diamonds to the queen by traveling to England. The obstacles to reaching the destination is easily offended and violent men with varying political views, bandits, the skilled and deadly Rochefort whom D'Artagnan encountered several times (Christopher Lee) and the cardinal's covert agent Milady (Faye Dunaway).
This film version of Alexander Dumas's masterpiece story is filled with incredibly enjoyable elements. There is much slapstick humor that is never forced, pretentious or overly distracting; there is a good amount of swashbuckling action; the performances (especially by Roy Kinnear as the abused servant) are well done and amusing; and the sets are extremely memorable. See it!
Sequel: The Four Musketeers: Milady's Revenge (which was originally going to be utilized as footage for this film)
Overall rating: 5 stars
Rated PG for violence, and some restrained sexual innuendo.
Great Fun & The Best Version so far..... Richard Lester & his screewriter, George Macdonald Fraser (of Flashman fame), made the best & most complete version of the Dumas tale with great flair and wit, seasoning the old story with satiric touches, irony and outright slapstick. Working with a dream cast, Lester shot this and the sequel (The Four Musketeers) all at once (ala Lord of the Rings) allowing him to tell a bigger story without the distractions of aging or changed cast members. It is great fun.
Since everyone knows the story I want to point out some of the wonderful qualities of the flim. First,there are the terrific fight scenes staged by Wm. Hobbs, who has his swordfights as exhausting affairs, full of sweat and effort, with no rules, no balletic dueling, but rather FIGHTING, with both hands and feet and anything that can be of use. These are set amongst blowing sheets, in tub rooms, and one especially clever night fight with lanterns blinking on and off. Oliver Reed as Athos especially convinces you that he is FIGHTING, not waltzing about.
Next, the wonderful cast, including: Michael York as an enthusistic and eager D'Artagnon; Raquel Welsh as D'Artagnon's paramour, Constance Bonancieux, bountiful and endearingly clutzy; Spike Milligan as Msr. Bonancieux, Raquel's addled and horny husband; Charlton Heston as the shrewd and ruthless Cardinal Richelieu; Christopher Lee, an arch & dignified villain as Rochefort, Richelieu's "blade" (and possibly illegitimate son); Faye Dunaway as the beautiful and treacherous Milady De Winter; Geraldine Chaplin as the ninny of a Queen; Jean Pierre Cassel as the dim and indifferent King. And then, of course the 3 Musketeers: Oliver Reed as a moody & temperamental, but powerful Athos; Richard Chamberlain's refined and aloof Aramis; and Frank Finlay's vain & pompous Porthos. Terrific all!
A light and infectiously joyful swashbuckler, Lester also has great fun displaying the extravagance and vanity of the Royals, idling away their time in ridiculous pursuits, completely impervious and indifferent to their servants and the lives of the common people shown in rough and coarse contrast. The King & Queen are clueless, Buckingham (Simon Ward) is a headstrong dolt, Richelieu schemes, and everyone else tries to survive their foolishness.
A rare mixture of genres and tones that really works, this witty romp must be seen with its concluding Four Musketeers where the tone shifts yet again. A treat for movie lovers.
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