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World Famous Comics: The Complete Peanuts 1957-1958
The Complete Peanuts 1957-1958
By: Charles M. Schulz, Charles M. Schulz
Publisher: Fantagraphics Books
Average Rating:5.00 out of 5.00 stars
Binding: Hardcover
Label: Fantagraphics Books
Number of Items: 1
Number of Pages: 346
Publication Date: 2005-10

More Comics By: Charles M. Schulz, Charles M. Schulz
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The Complete Peanuts 1957-1958
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Editorial Comments

Product Description:
The New York Times best-selling series continues!

As the 1950s close down, Peanuts definitively enters its golden age. Linus, who had just learned to speak in the previous volume, becomes downright eloquent and even begins to fend off Lucy's bullying; even so, his security neurosis becomes more pronounced, including a harrowing two-week "Lost Weekend" sequence of blanketlessness. Charlie Brown cascades further down the hill to loserdom, with spectacularly lost kites, humiliating baseball losses (including one where he becomes "the Goat" and is driven from the field in a chorus of BAAAAHs); at least his newly acquired "pencil pal" affords him some comfort. Pig-Pen, Shermy, Violet, and Patty are also around, as is an increasingly Beethoven-fixated Schroeder.

But the rising star is undoubtedly Snoopy. He's at the center of the most graphically dynamic and action-packed episodes (the ones in which he attempts to grab Linus's blanket at a dead run). He even tentatively tries to sleep on the crest of his doghouse roof once or twice, with mixed results. And his imitations continue apace, including penguins, anteaters, sea monsters, vultures and (much to her chagrin) Lucy. No wonder the beagle is the cover star of this volume! The volume contains 156 strips that have never been reprinted in any book whatsoever, and another 80 that have only been printed in relatively obscure and out-of-print Peanuts books.

And coming up in the next volume… a baby girl named Sally!

Amazon.com Review:
In the fourth volume in Fantagraphics Books' Complete Peanuts series, Snoopy continues to develop as a character, and the worm--Linus--turns against his fussbudget sister, Lucy. Sure, she's still a fierce intimidator of her little brother and Charlie Brown, but he's learned to strike back with a deft pair of pliers, a huge sand castle or snow dinosaur, or merely the will to walk up and change the channel. Lucy also continues her pursuit of the oblivious musician, Schroeder (contrary to the advice of Dear Agnes). Snoopy continues his impersonations (vulture, penguin, etc.), plays baseball and football, angsts over being called "fuzzy-face or "dime a dozen," and dances gleefully on Schroeder's piano. Charlie Brown, of course, has very little glee, especially when he has to manage a dysfunctional baseball team that only wins if he's sick or when the championship is riding on his catching a simple pop fly. But at least he has his pencil pal. Charles M. Schulz by this time was comfortably in his routine of multi-day stories, and there's a bit of foreshadowing when Schroeder, wildly inventing names of imaginary pianists, comes up with "Joseph Schlabotnik," which would later become the name of CB's baseball hero. The volume has an introduction by author Jonathan Franzen and a Sunday strip from May 3, 1953, which was discovered after the 1953-54 volume was printed. --David Horiuchi


Customer Reviews
Average Rating:5.00 out of 5.00 stars

5 out of 5 starsPeanuts is alwasy a treat
For a die-hard Peanuts fan, this series is a must-have!



5 out of 5 starsThe best comic strip ever?
There was a time when the newspaper comic strip was HUGE. In the early 1900s, the success of a newspaper was in part due to the comics it featured. That era has long since disappeared, and it often seems that the comic strip is a neglected relic. There are still some good comics out there, but they are getting rarer and the newspapers treat them with less and less respect, cramming many onto a single page that used to hold just a few.

Where does Peanuts fit into all this? Well, it is the most popular comic strip of all time. Does any other strip have anything close to its legacy of movies, TV shows, plays, books and merchandise? And happily, it is deserving of its success; it is arguably the best comic strip ever, and certainly one of the top ten or so. As a result, it is not hard to see why the newspapers continue to publish old strips years after its creator, Charles Schulz had died. They don't stop printing it or allow another artist to take it over. The comic strips overall are a pale shadow of what they once were, so repeats of Peanuts can prosper because nothing new can replace them.

Volume 4 of the Complete Peanuts is where the characters are really beginning to show their full development. We have Lucy, the champion fussbudget and Linus, her philosophical brother with a dependence on his security blanket. Schroeder is the budding musical genius. Patty, Violet and Shermy are mostly supporting characters at this point; they will be eventually replaced by other characters (but not in this volume).

The two key roles, however, are those of Charlie Brown and Snoopy. Snoopy is up to his usual antics, pretending to be a vulture, grabbing at Linus's blanket and relaxing in his water bowl. He also starts his practice of lying on top of his dog house, although his first attempts are not all that successful. Charlie Brown is, well, Charlie Brown, the ultimate loser who the Fates themselves conspire against. Kites won't fly for him, pens constantly smear and if, by some remote chance, his baseball team is doing okay, they heavens themselves will open up and rain out the game. His "friends" are often cruel to him (with the exception of the benevolent Linus and the aloof Schroeder). In a way, the main theme of Peanuts is defined in the very first strip (in volume 1) when Shermy says, "Good old Charlie Brown...How I hate him." This seems to be the way the whole world thinks of this hapless character.

Peanuts may seem to some to be just an overrated strip, but I don't think that's so. It may be overly merchandised, but the comic itself is a cornerstone of the genre and one of the most influential strips out there. This volume again shows why Peanuts is one of the all-time greats.



4 out of 5 starsCompletely Awesome... Peanuts 1957-1958
This series is going to be a regular drain on my bank balance for the coming decade, as that is how long it is going to take Fantagraphics to finish publishing this collection, if they stick to their published schedule.

Be warned: The Sunday strips are not in colour unlike the Calvin & Hobbes and the Farside collection in which even the black and white strips are printed on colour pages. This quite pisses me off...

Finally, a Peanuts collection in chronological order and nothing left out. It's going to be a long wait indeed...

I've always thought of creating a bookshelf of hard cover with all my favourite comic strips, when I could afford them... Calvin & Hobbes, Farside, Tintin, Asterix & of course Peanuts.

I have the first two, and I'm on my way with Peanuts... It's going to be a long and interesting 11 years...



5 out of 5 starsHitting Its Stride
Here the Peanuts gang becomes familiar, as they start hitting the usual topics that would develop and blossom over the years. Every one of the main characters has secured their place, and Snoopy starts his development into the multi-faceted character we know and love.

Probably the best thing about the book is that we watch Charles M. Schultz modify and mollify his characters. In 1957, quite a few of the Sunday cartoons show Lucy becoming too much the bully, abusing her younger brother viciously without cause and causing no end of pain to Charlie Brown. During 1958, Lucy develops a vulnerability and Linus becomes more an actor, sometimes getting back at his sister and sometimes causing his sister's temper tantrum (it's easier watching her blow up when she has a cause). Schultz could have blown things with Lucy, but with a few modifications between her and Linus, a balance is made that makes things more interesting.

Now, here's to next April, and 1959-1960.



5 out of 5 starsThe world of Peanuts is a microcosm, a little human comedy for the innocent reader and for the sophisticated.
Everyone's favorite beagle comes into his own in this fourth volume of the best-selling COMPLETE PEANUTS series. Snoopy covets Linus's security blanket, indulges in imitations and impressions,joins the baseball team and, toward the end of the book, he even--an epochal development!--starts sleeping on the roof of his doghouse.

Of course, fans of Schroeder, Lucy, Linus, Patty, Pig-Pen, Shermy, Violet, and Charlie Brown will also find plenty of hilarious strips to enjoy as well including several hundred that have never seen print in book form before today.


Related Categories:Similar Items

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