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World Famous Comics: Museum of the Missing: A History of Art Theft
Museum of the Missing: A History of Art Theft
By: Simon Houpt
Publisher: Sterling
Average Rating:4.00 out of 5.00 stars
Binding: Hardcover
Label: Sterling
Number of Items: 1
Number of Pages: 192
Publication Date: October 28, 2006

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Museum of the Missing: A History of Art Theft
List Price: $24.95
Used Price: $10.95
Collectible: $24.95
3rd Party New: $14.32
Amazon's Price: $16.47

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Editorial Comments

Product Description:
Priceless masterpieces…
Brazen thefts:
The true story behind the blank spaces on the museum walls.
 
 
What kind of person would dare to steal a legendary painting—and who would buy something so instantly recognizable? In recent years, art theft has captured the public imagination more than ever before, spurred by both real life incidents (the snatching of Edvard Munch’s well-known masterwork The Scream) and the glamorous fantasy of such Hollywood films as The Thomas Crown Affair. The truth is, according to INTERPOL records, more than 20,000 stolen works of art are missing—including Rembrandts, Renoirs, van Goghs, and Picassos. Museum of the Missing offers an intriguing tour through the underworld of art theft, where the stakes are high and passions run strong. Not only is the volume beautifully written and lavishly illustrated—if all the paintings presented here could be gathered in one museum it would be one of the finest collections in existence—it tells a story as fascinating as any crime novel. This gripping page-turner features everything from wartime plundering to audacious modern-day heists, from an examination of the criminals’ motivations to a look at the professionals who spend their lives hunting down the wrongdoers. Most breathtaking of all, this invaluable resource offers a “Gallery of Missing Art,” an extensive section showcasing stolen paintings that remain lost—including information about the theft and estimated present-day value—and which may never be seen again. 
 



Customer Reviews
Average Rating:4.00 out of 5.00 stars

4 out of 5 starsNotes for the "Art Thief"
This books seems to serve as the underlying notes for the novel and just published book, "The Art Thief", by Noah Charney, which is a very twisty and complicated "Who Done It" about multiple art thefts.

This one is an interesting read. However, I would leave "The Art Thief" on the shelf for someone else to steal.



5 out of 5 starsMuseum of the Missing
Noiw this is better than fiction! Exciting! Real life adventures of missing art and I enjoyed this book immensley and purchased several for friends. Don't miss it.



5 out of 5 starsBeatifully Made Book
This is a book you will pick and and leaf through just for the art history if nothing else. What makes it so much more than just your average coffee table book is the little known details of famous art thieves and their craft. I loved the glimpse into the world of auction houses and collectors who are too rich to be famous in the usual sense. The subject matter is fascinating when presented in such a lucid and well organized manner. The illustrations are top-notch. A must for serious museum goers and art history aficionados.



2 out of 5 starsMuseum of the Missing
I thought the topic was very interesting but the book skimped over the deatils - either it was trying to cover too broad a topic or each missing object was not covered in enough depth...there are fascinating stories behind these thefts and I got no sense of who had stolen the art works or why they had taken such 'criminal' risks.



5 out of 5 starsAbsorbing Overview
I work for a global insurance broker with an international art practice that insures many of the world's great museums. I am also an avid art collector. Unlike Christian and Doomjesse, I found this book very useful for the opposite reasons. Personally, I found the "breezy" style of writing a pleasant change from the scholarly style of most art books I read. This is a great overview that anyone can understand. The illustrations are wonderful. We need more books on art that entertain and perhaps, for the novice, stimulate further interest in a subject. While it is a valid criticism to say that this book is not a comprehensive history, I came away wanting to know more and I can talk to my associates in the art practice in a more educated manner.


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