World Famous Comics: Loveless, Vol. 1: A Kin of Homecoming
Loveless, Vol. 1: A Kin of Homecoming
By: Brian Azzarello Publisher: Vertigo Average Rating: Binding: Paperback Label: Vertigo Number of Items: 1 Number of Pages: 128 Publication Date: May 01, 2006 Release Date: May 01, 2006
Product Description: Eisner award-winning writer Brian Azzarello (100 BULLETS, SUPERMAN: FOR TOMORROW) creates a Western for the new millennium. Reuniting with his HELLBLAZER collaborator, artist Marcelo Frusin, Azzarello fashions a tough-as-nails saga that combines all the bloody action and atmosphere of a Sergio Leone film with the provocative storytelling of HBO's Deadwood.
Wes Cutter is a wanted man running from a violent past - the horrors of the Civil War, a brutal stint in a Union prison camp, and the savage fallout of Reconstruction. Now he's on a quest for the one thing in short supply: peace. Joining Wes is his beautiful wife Ruth, a woman who has been to hell and back herself - and hides dark secrets of her own. The road they travel will be a bloody one, leaving a trail of bodies stretching from Missouri to the Pacific Ocean.
Welcome to Blackwater. Brian Azzarello, Loveless: A Kin of Homecoming (Vertigo, 2006)
Despite my overwhelming affection for Preacher, I still feel kind of hinky towards the idea of western comics. I've never been a huge fan of the genre in general, though there have always been specific pieces of it that work for me, rather as there are in any genre. I should have known that, like anything else he turns his hand to, Brian Azzarello can make a western work like nobody's business. For one thing, it's not a Western so much as it is a Southern, being about the antebellum South and the horrors of reconstruction from the losing side's point of view, and no matter what genre he's working in, Azzarello has a knack for coming up with intelligent, thoughtful (if unforgivably violent) main characters, while adding just enough of the classic two-dimensionality to the really, really bad guys to not let you forget that you are, after all, reading a comic book.
For some odd reason, Loveless reminds me more of Fallen Angel than it does of Preacher (or, for that matter, 100 Bullets, Azzarello's current taking-the-world-by-storm series); maybe it's the setting, though no one's going to recognize these two takes on the American South as being in the same universe. Or maybe it's the idea that there's one person, and that person ain't exactly a hero, who's taking on the world, with only a ragtag straggle of fair-weather allies for company. Or maybe it's the reluctant nature of the protagonist's heroism. I don't know, but the comparison is sticking in my mind, and it's a strong one. I hope Loveless ends up with a much, much longer run than was allowed Fallen Angel, I must say. Mr. Azzarello has hit upon another winner. *** ½
A bland, dark collection of Spaghetti Western cliches If you've seen as many as a dozen Spaghetti Westerns (more accurately terms Italian Westerns), there is nothing in this book that won't seem tame and cliched. I can't remember the last time I read something so completely devoid of anything that I hadn't seen before. I suppose if your exposure to European Westerns of the sixties, seventies, and eighties is limited this might seem new and interesting, but not for anyone with experience in the genre.
I was also ambivalent with the artwork. Some of the individual cells were superb. But others looked comically awful. In this regard it somewhat mimics Italian Westerns, with many directors in the genre favoring grotesques as supporting actors. It probably wouldn't bother some people, but I found too many of the faces too distorted to be appealing.
Finally, the idea of having fast shooting bad guys immediately after the end of the Civil War was just too far fetched. Guns were extremely slow during this particular time period. Azzarello has people doing things that would only be possible in the decade that follows. OK, a minor point, but why get these things wrong when it is possible to get them right?
All in all, a waste of my time and money. It is the rare comic that I don't find something to enjoy. I'm selling my copy and not continuing in the series.
"It's that hate which sustains the war" Loveless is a comic about Confederate women and men before, during, and after the Civil War. The last western comic book I bought was . . . wait, I've never bought a western comic before. But the cover artwork on this series is awesome (particularly #7) and I was compelled to buy and read the series. Sometimes I don't care if a comic has a good story, I buy comics sometimes just out of respect and admiration of the incredible cover artistry. With this series, the inside artistry is exceptional also.
The series is about hate - the serie's title is "Loveless." It is about how violence, war, silence, imprisonment, and prejudices bring about deep hatreds and re-occuring violence. The series emphasizes how evil is not exclusive to the male gender; rather, the women who support the violent parts of their men are complicit. And sometimes the women are as violent as the men. I work hard to avoid hate. But I must confess, if there is one thing I hate, it is the violence, war, silence, and animosity that are neverendingly borne out of the stupidity of hateful reasoning.
The title of this review is a quote by one of the gun runners, trying to comfort a woman who is worried about her imprisoned husband. He is trying to assure her that her fears, about the capacity of harm that hate can bring, are unfounded. But women are empathetic and socially intelligent, and her fears are well founded.
I recommend this book on many levels. The art has a perfect tone for the story. The visual storytelling and scripting are brisk and fluent. This is an "adult" story and not for readers who are unsophisticated, or unwilling to question the protaganists' moral decisions.
A critique of the story so far is that it is too fictional, almost completely excluding any characters with any high level of human decency, compassion or understanding - which may keep it within the bounds of the 'Vertigo' horror genre category, but which keeps the series from being more realistic, historical, or universal. I don't fault the story for not having regular moral endings; I fault it for erring almost exclusively with horror genre endings. There are no Macbeths here taking much time questioning the morality of their violent choices. This series is no Sandman, where at least occasionally there is a hope in hell. I still give the series 4 stars for it's cleverness, artistic beauty, & exceptionally professional execution and uncommonly individual and good artisitc styles (there are two primary artists rotating duties on the book and covers).
This series is rarely about hope or finding answers. In this fictional world, there are no easy, moral 'good guys.' The characters too often stupidly do not rise above focusing on more than themselves and their immediate loved ones - almost always choosing violence as their response to violence.
The series is about how hate creates hate. In the fictional world of "Loveless" there is very little education, limited community understanding, almost a complete absence of the benefits of diversity, and a marked absence of mercy. But I still highly recommend the series to adults because it one of the finest comic books being currently produced.
A Fine Beginning Writing: A
I liked Brian Azzarello's writing in 100 Bullets at first, but after a story that's gone on many years without resolution, had my doubts about this new book. 100 bullets is like the X-files - the individual self-contained stories are satisfying, but there's a bigger story at hand that develops at a snail's pace and really gets annoying because it's never resolved and eventually becomes so overly complicated that you can't understand it anymore.
Fortunately, Loveless works well as a self-contained graphic novel. Azzarello has also stated that it will only run 50 issues or so (or 10 trade paperbacks), so hopefully this title won't run into the same problem that 100 bullets has. The story is intriguing, but the book still works in an episodic manner, and I love forward to the next trade paperback when it comes out.
Art: A+
Marcelo Frusin is the best thing about Loveless. I loved his work in Hellblazer, and have missed him sorely. He is probably one of most cinematic comic book artists of all time. His linework is simple yet elegant, and incredibly expressive. His layout is clear and smooth. I agree with other reviewers that the flashbacks could have been more obvious (sometimes a flashback is obvious from the beginning, sometimes you have to read it twice), but I did appreciate it's innovativeness.
Patricia Mulvihill, the colorist, deserves special mention. Although Frusin's pencils and inks are beautiful, the final work wouldn't be as breathtaking as it is without her gorgeous coloring work. She has a cinematography's eye when it comes to choosing the colors to complement the story and art, and creates a great mood for the story.
Overall, a great beginning, and given that it's relatively inexpensive trade paperback, it is definitely worth picking up.
Azzarello's Loveless is a dark and twisted journey through the Old West Brian Azzarello has added a new on-going series to his already excellent 100 Bullets. Already well-known for his work in Hellblazer, Brian Azzarello's Loveless is a dark and twisted take on the Old West (specifically post-Civil War Old West) is like a hearty stew combining the epic expanse of classic Sergio Leone spaghetti western, Eastwood's Outlaw Josey Wales and the rapid-fire dialogue of HBO's Deadwood. I thought he could never top his work in 100 Bullets, but Azzarello continues to impress as he's taken his gift for dark storytelling and transposed it to the Old West to create a new mythical tale of vengeance, dark secrets, death and sex.
Loveless: A Kin of Homecoming collects the first five issues of Azzarello's Loveless series. The trade paperback introduces the two main characters whose lives will be the focal point of the stories. Wes and Ruth Cutter are the husband and wife whose lives have been torn apart by the brutality of the Civil War in the Missouri territories. The story makes special mention of Bloody Bill Anderson and Quantrill's Raiders --- pro-Confederate bushwhackers whose extreme hatred for Union soldiers and pro-Union civilians brought bloodshed and banditry to a new level in the Missouri territories. It is the aftermath of this guerilla-type war during the Civil War that has forced both Wes and Ruth Carter on a journey of vengeance on all those who have wronged them.
Azzarello deftly interspersed flashback scenes of Wes and Ruth Carter's lives before the events of the Civil War reaches Missouri. They're a happy and deeply in love couple whose only aspirations were to live a modest and peaceful life. This was not meant to be as Wes soon volunteers to fight for the Confederate side and leaving his wife in the care of his brother Jonny. What happens within the story collected in this trade sets up some of the back story as to why Wes and Ruth Carter are now both harder and meaner than they were before the war came to them. Already, there's hints of familial double-cross and betrayal. Secrets kept by both main characters from each other. Loveless is a a dark tale of post-Civil Reconstruction that has never been told in the history books, but Azzarello sure makes it vivid with his storytelling and the excellent artwork by his collaborator Marcelo Frusin.
Frusin's artwork gives Loveless a cinematic look to it. One could almost wonder if he wasn't making storyboards for a new Western film production instead of just a comic book series. From scenes of sudden violence and sex to flashbacks of the same, Frusin's artwork seemlessly matches the words Azzarello has put down on page. The images could easily tell the story in itself if the words were suddenly removed. There's a simplicity and ease to the images in conveying the tale being told.
Azzarello's already mentioned that the series will end around 50 or so issues and will be collected in ten trades. Each trade will contain five-issues. These five-issues will tell a new story-arc in both Wes and Ruth Carter's journey through Azzarello's western tale. The first story-arc is now over and collected and I await for the next trade to tell me the continuation of the Carter's journey through Loveless. A series from Vertigo that fans of 100 Bullets and Hellblazer should not miss.
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