World Famous Comics: How to Survive and Prosper as an Artist
How to Survive and Prosper as an Artist
By: Caroll Michels Publisher: Owl Books Average Rating: Binding: Paperback Label: Owl Books Number of Items: 1 Number of Pages: 384 Publication Date: February 15, 1988
Product Description: Just because you're an artist doesn't mean you have to be broke. Caroll Michels offers a wealth of insider's advice on getting your work exhibited, preparing resumes and presentations, public relations and advertising, applying for grants and awards, legal issues, and more. Includes a fully updated resource guide.
Only if you live in US Not quite what I expected. Third of the book is lists of resources. Really only useful if you live in the US. Some interesting points about the relationship between art galleries and artists and a fair attempt at empowering artists. Still, not the book for me.
Good for a NEWBIE Since retirement, I have been exploring the arts as a business opportunity. This book is a real eye opener about what questions to ask and where to look for assistance. It appears that artists are the talent and others may just be users of the talent without respect for the talent. Newbies should learn what to expect and safeguard their interest as they develop a business. Business is not emotional and artists are usually emotional about their works and talents. Developing business skills is critical to building those safeguards that can lead to a the artist having a good experience both with the art and the business.
fair Book is good for painters who want to deal mostly through galleries. Not good for other artists or photographers and not good for artists who want to avoid the gallery manipulations.
Totally Worth It!!!!!!!!!!!!!!!!!!!! I purchased this book about five years ago while just getting out of undergraduate school. The practical tips and ideas about developing work helped out immensely. The writing is pratical advice which helps anyone who is starting out, to cut out at least six months to a year of bumbling mistakes one would normally make when approaching the beginnings of an art career. Along with all the good advice, the lists of institutional information in the back of the book is worth the price of the book itself. I have reccomended, and lent this to many of my friends to read and plan to re-read this with the completion of graduate school and a new body of work.
GOOD INFORMATION Lots of great, helpful information. A reference book for anyone becoming an artist. One tip in the book is worth the price. Don't think twice about getting this good resource.