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World Famous Comics: Ultimate Spider-Man Vol. 3: Double Trouble
Ultimate Spider-Man Vol. 3: Double Trouble
By: Brian Michael Bendis
Publisher: Marvel Comics
Average Rating:4.50 out of 5.00 stars
Binding: Paperback
Label: Marvel Comics
Number of Items: 1
Number of Pages: 176
Publication Date: November 01, 2002
Reading Level: Young Adult

More Comics By: Brian Michael Bendis
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Ultimate Spider-Man Vol. 3: Double Trouble
List Price: $17.95
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Customer Reviews
Average Rating:4.50 out of 5.00 stars

5 out of 5 starsDr Ock and Spidey - great story
You have probably gotten a good idea of the plot by reading the other 6 reviews here, so I won't go into that. I just want to recommend this #3 in the rebooted Spidey series, it has fantastic art, the villians are beautifully drawn and their personalities are captured very well. The story is extremely well written and you can identify with how Peter feels and how it copes with it. Full marks!



4 out of 5 starsGraphic SF Reader
Spider-Man, while supposed to be younger here, of course, almost looks like you took McFarlane's version and locked him in a cupboard for 2 weeks and didn't let him eat.

Plenty of big eyes for the young manga-like loving kiddies too, seems to have worked.

Some fun bits, Gwen Stacy seems to have stepped out of a gang, and they threw in a Jenny Sparks joke.

Kraven the Crocodile Hunter, and the dacking of Doc Ock.

Overall, not too bad, but not a style I like much.



5 out of 5 starsDoc Ock + Kraven= Brilliant!
This review is for Ultimate Spider-Man vol. 3 paperback edition: Double Trouble

Doctor Octopus has long been one of Spider-Man's greatest villains, and this volume sees his entrance into the Ultimates world. Horribly disfigured after his accident in Osborn lab's in volume one, Otto Octavius insane and out for blood. Add into the mix, Kraven, who fancies himself the world's ultimate hunter, and his new prey is Spider-Man.

Once again, Bendis bring his best game when scripting this book. The writing is wonderful, the characters very real and very human. His take on Gwen Stacy is very unlike mainstream Gwen Stacy but the result is a very likable character. His approach to Mary Jane and Peter's relationship is also very teenage and appealing.

Bagley and Thibert's pencils are nice, and appropriate to the book, though the character's are a little wide eyed at times, and their take on Doc Ock's body didn't mesh with my personal image of the character.

This is the perfect Ultimate Spider-Man graphic to buy for someone who has seen Spider-Man 2 and wants to read a comic with Doc Ock in it. This book is also appropriate for all ages and for comic collectors and newcomers alike.

This volume reprints Ultimate Spider-Man #14-21. Highest recommendations!



2 out of 5 starsugh
I started loosing interst in the newer spider man books after this comic, i found a disturbance with the second one that was more artist than story but volume 3's story is cheezy but spider man is still the man, even if they try to change his persona and twist the story.



5 out of 5 starsSpider-Man takes on Doctor Octopus and Kraven the Hunter
Just when I thought the game plan of the "Ultimate Spider-Man" with regards to the love life of his alter-ego Peter Parker was to go directly to Mary Jane Watson, passing Betty Bryant and Gwen Stacy, when scribe Brian Michael Bendis drops the later into the action. This version of Gwen is big on the mascara and perfectly willing to pull a switchblade on a bully, both of which are completely valid reasons for Peter to have his eyes pop out of his head when he looks at her. Not even her police Captain father can reign in this blonde tornado.

At this point in the comic book the stage is merely being set for the impending love triangle, but I have to tell you that what is happening here is clearly a take off on "Dawson's Creek." Seriously. Peter is Dawson, Mary Jane is Joey, and Gwen is Jen (No, Flash is not Pacey; Kong is closer to being Pacey than Flash, but Peter Parker does not have a friend, which means Harry is not Pacey either). This should prove to be interesting, especially given that Mary Jane already know's Peter's big secret. But at this point the main problem is that Aunt May has an over inflated opinion about her nephew's love life. Yes, things might actually be worse for our hero this time around.

The title of "Double Trouble" has to do with the fact that in this collection of "Ultimate Spider-Man" #14-21, Spider-Man has not one but two villains after him (I was going to say two super villains, but that would not be the case). The new and improved bad guys this time around are Doctor Octopus, who has come out of his coma to discover his tentacles are fused to his skin, and Kraven the Hunter, who is now a reality television star from Down Under. Clearly, the more you know about the original Spider-Man comics and his various foes the more you will enjoy Bendis's refinements and provocative changes. At the end of this collection Spider-Man enjoys his biggest moment in the sun since the spider bit him, which quickly follows with a particularly low moment for Peter. Even when we think we know the rules of the game, Bendis continues to surprise us.

"Double Trouble" is the third trade paperback collection of "Ultimate Spider-Man" comics, which re-imagines the webhead as a younger Peter Parker trying to learn the ropes of being a superhero. But for those who read the first couple hundred issues of the original "Amazing Spider-Man" this is a hyper retelling of the tale. Forget all the ... superheroes Spidey had to fight with; this time around the focus is on the best and the baddest. The biggest difference between these first 21 issues of "Ultimate Spider-Man" and the original comic is that a single issue is no longer a complete story; it takes eight issues for the conflict between Spidey and Doc Ock to develop and be resolved. Consequently, we have the rather paradoxical fact that things are happening much faster for Spider-Man in this retelling of the tale while taking longer to develop. I continue to be impressed by this brilliant "re-imagining," which is drawn by Mark Bagley with inks by Art Thibert and Erik Benson.


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