By: Chris Offutt Publisher: Simon & Schuster Average Rating: Binding: Paperback Label: Simon & Schuster Number of Items: 1 Number of Pages: 176 Publication Date: February 22, 2000
Product Description: Seven years ago, Chris Offutt made his literary debut with Kentucky Straight, a fiercely original collection that earned him not only critical praise but many prestigious awards.
The eight new stories in Out of the Woods mark Offutt's return to the form in which he first displayed his astonishing talent. Offutt, who "draws landscape and constructs dialogue with the eyes and ears of a native son" (The Miami Herald), is on strong home turf here, capturing those who have left the Kentucky hills and long to return. These are stories of gravediggers and drifters, gamblers and truck drivers a long way from home, tales that are so full of hard edges they can't help but tell some hard truths.
Amazon.com: Out of the Woods starts with one man leaving his Kentucky hollow and ends with another who realizes he can't return. In between, Chris Offutt's broke, lonely, or just plain down-on-their-luck characters find out exactly how difficult it is to go home again, and how equally difficult it is to stop wishing they could. The critically acclaimed author of The Good Brother (a novel), as well as a memoir and a previous collection of stories, Offutt writes with rare honesty, insight, and restraint. "Sometimes I don't think I've done anything to leave my mark in this world. I'm the kind of person the world leaves a mark on," admits the narrator of "Two-Eleven All Around." The same might be said of all Offutt's Appalachian transplants, from the small-town sheriff of "Melungeons," forever marked by the violence and beauty of his mountain upbringing, to the rootless ex-con of "Moscow, Idaho," who wonders "if he'd ever find a woman, a job he liked, or a town he wanted to stay in." These lives are rendered in prose stripped so bare it reads like poetry--and yet is not without its own flinty wit. Given his first glimpse of his brother-in-law's corpse, the protagonist of the title story allows as how "he didn't look dead, but Gerald didn't think he looked too good either. He looked like a man with a bad hangover that he might shake by dinner." These are characters who get inside your head and stories worth reading again and again. As spare and simple as a Shaker chair, Offutt's tales should prove every bit as enduring. --Mary Park
Offutt turns on the overhead light and throws off the sheet. Because I love short stories and Southern writers, I discovered Chris Offutt. Out of the Woods was his first book I read. It won't be the last. His fiction is serious, his characters haunting. Haunting because of the writer's honesty. Offutt turns on the overhead light and throws off the sheet. His protagonist in "Two-Eleven All Around" sums up all of his characters when he ponders, "Sometimes I don't think I've done anything to leave my mark in this world. I'm the kind of person the world leaves a mark on." Offutt has left his mark.
High Praise for Chris Offutt Presently you won't see Chris Offutt's name on any bestseller's list, but please don't let that discourage you from reading his wonderful work. In "Out of the Woods," Offutt follows the lives of ex-cons, alcoholics, gamblers, and drifters as they struggle to find direction and purpose.
Offutt's characters share one common thread, they were all born and raised in Appalachian communities in Kentucky. Reared in a culture in and of itself, these Kentuckians face harsh realities as they try to carve out a path for themselves in mainstream America. Most grapple with a strong desire to get out and see the world yet simultaneously they fight the urge to return to the comfort and security of home. In "Moscow, Idaho," a young prisoner on grave digging duty aims to turn over a new leaf and wonders if he will ever find a woman, a good job, and a town to settle in. "Two-Eleven All Around" is the story of a man who is so desperate for attention from his girlfriend, that he stages his own arrest in hope that she will hear about it while listening to her radio. These tales combine perseverance and heartbreak into poetic prose.
There have been comparisons of Offutt's writing to that of Raymond Carver's. Only in my opinion, Offutt is better. Carver's characters tend to present with a flat affect, but Offutt is able to take the reader subtly and deeply into his characters minds. Chris Offutt excels at what he writes about because he lived the life of his characters. He grew up in a small Appalachian community and at the age of nineteen he meandered across the country where he went through more than fifty jobs before returning to home and raising a family. Chris Offutt has come full circle and there is no doubt that he will find himself a place in the world of literature.
Poetry This book of stories rivals Denis johnson's Jesus' Son as oneof the most compelling books of stories written in the last decade.Economically written and darkly funny, not one word is wasted. And the landscapes are etched with a painter's flare for light and form. I've read Mr. Offut's novel and memoir and they are very good. But this book is truly original, an example of how much promise the short story as a significant art form in 2000 and beyond.
voices audible Ain't no such thing as a perfect story no matter how masterful the crafter is. That's what art is, I guess. It's the "imperfections" - maybe the particularities, the quirks and indiosicracies - which strick you in that very personal way like the writer is writing for you and you want to shake the hand which wrote that tale, which made your life a little better just now and you really want to say - thanks! After awhile, if the work is good, you don't feel like you're reading some book. This guy, Offut, is actually a very ordinary proser. It seems. Seemingly, not that much extraordinary stuff is going on. No sense of immediate beauty or anything like that. He writes as if he's one with the tale being told. There's this intimacy here, OUT OF THE WOODS, like you don't get in many places. He honors - people, life, words, and the putting together of. That's what I think. Some phrases jump at you with a real live human voice. ("I'm going with Jack," she said. "I'm sorry." - in TOUGH PEOPLE) ("What the f--- do you want?" - in TWO-ELEVEN ALL AROUND) I've been keeping these sentences in me for awhile and as corny as this sounds, they make me want to be a better person.
Flannery, Breece, and Chris: Reference Standards There's only a few writers that I hold as examples of what the art should be, and Chris is one of 'em.
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