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World Famous Comics: Great Short Stories by American Women (Dover Thrift Editions)
Great Short Stories by American Women (Dover Thrift Editions)
By: Sara Orne Jewett, Kate Chopin, Willa Cather, Edith Wharton
Publisher: Dover Publications
Average Rating:4.50 out of 5.00 stars
Binding: Paperback
Label: Dover Publications
Number of Items: 1
Number of Pages: 192
Publication Date: February 05, 1996

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Great Short Stories by American Women (Dover Thrift Editions)
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Editorial Comments

Product Description:
Choice collection of 13 stories includes "Life in the Iron Mills" by Rebecca Harding Davis, Zora Neale Hurston's "Sweat," plus superb fiction by Kate Chopin, Willa Cather, Edith Wharton, many others.



Customer Reviews
Average Rating:4.50 out of 5.00 stars

5 out of 5 starsA great find
This book is a great read with many classic writers included. It also has a story by Kate Chopin that was never published after the backlash she received from "The Awakening." It's a great story. I did notice this book had a price on the back of $1.99 and I paid far more on Amazon. Boo!

It's surely worth the read.



4 out of 5 starsWorthy collection
At first I thought I wasn't going to like this collection very much. Not enough contemporary stories, and I am, after all, a lover of contemporary literature. I get discouraged when I read older novels. The language seems too stiff at times. So, I approached this collection with caution. A good example of what I mean about older writing being slightly formal for my taste was the short story we've all had to read in English Lit classes: "The Yellow Wall-Paper", by Charlotte Perkins Gilman. Another example is the opening story, "Life in the Iron-Mills" by Rebecca Harding Davis. After a few pages I just hjad to skip them.

That said, I luckily enjoyed most of the stories quite a bit. I think the editor had very good care in choosing stories that had universal appeal. My favorite is "Transcendental Wild Oats", by Louisa May Alcott. I know more than a "nothing-but-organic" zealot who should read this one. I found it amazing that Alcott, back in the late 1800s, was able to offer such accurate criticism of the ridiculous views that some take on behalf of misguided ideals and very few facts.

Another story I enjoyed was "A White Heron" by Sarah Orne Jewett, where a young girl has to choose between her love of the bird on the title and receiving some very needed money in exchange for pointing out its nest to a hunter. I think the whole debate in the girl's mind was very well developed. I also liked Willa Cather's "Paul's Case", with Paul being an eccentric young man who gets used to the high life too soon. And another favorite was "Sweat" by Zora Neale Hurston, a story full of karma.



5 out of 5 starsGreat compilation of American women writers!
This compilation of American women is a fantastic introduction to the genre--from the American experience of Rebecca Harding Davis, to the superiorly intelligent prose of Edith Wharton (my personal favorite, although her story here is not my fav.) to the feminist leanings of Kate Chopin and Zora Neale Hurston---I could go on and on. This edition makes a super (and super cheap) travel companion; especially, if like me, you prefer to read short stories when traveling, rather than longer works. This book would make a great gift for a young woman, say age 13 to 25, who would appreciate the varied perspectives on life that these women provide; and its a great way to generate interest in the authors and reading. The stories are very entertaining and thought provocing; the ideas are readily accesible. You certainly cannot go wrong with this edition... I guarantee it will leave you or the lucky recipient wanting more.



5 out of 5 starsIncredible classroom text!
As a college student, I am burdened with purchasing many expensive books for classes. "Great Short Stories by American Women," however, was not a burden to purchase at all. The book showcases great works from many great female authors in the late 19th and early 20th century. Zora Neale Hurston, Edith Wharton, Charlotte Perkins Gilman, and Louisa May Alcott are just a few of the authors featured in the book.

In my class, we spent an hour discussing just one of the stories each day. "Great Short Stories by American Women" is an excellent classroom resource, and is very inexpensive.

Also, I highly recommend "The Yellow Wallpaper" by Charlotte Perkins Gilman for class discussion. It is a compelling piece, and especially interesting to high school and college age students. It makes for an involved discussion.



4 out of 5 starsAlcott! Wharton! Hurston! And more!
I was greatly impressed with "Great Short Stories by American Women," the anthology edited by Candace Ward. The stories in this volume were originally published between 1861 and 1930, and represent the work of some of the United States' best writers. The contents of the book are as follows:

Rebecca Harding Davis' "Life in the Iron Mills," a compelling piece of social protest; Louisa May Alcott's "Transcendental Wild Oats," a satiric view of life in a Utopian commune; Sarah Orne Jewett's "A White Heron," a reflection on men, women, and nature; Mary E. Wilkins Freeman's "A New England Nun," about an extended engagement; Charlotte Perkins Gilman's creepy "The Yellow Wall-Paper," about a woman who, diagnosed with "a slight hysterical tendency," is forced to undergo an oppressive treatment; Kate Chopin's lusty, sensuous "The Storm"; Edith Wharton's "The Angel at the Grave," an ironic study of the legacy of a famous philosopher; Willa Cather's "Paul's Case," a tale about a dandyish young man who just can't fit into society; Alice Dunbar-Nelson's "The Stones of the Village," a study of racism, shame, and secrecy; Susan Glaspell's "A Jury of Her Peers," a murder mystery which the author adapted from her own one-act play entitled "Trifles"; Djuna Barnes' multigenerational family story "Smoke"; Zora Neale Hurston's "Sweat," a story of a nightmarishly bad marriage; and Nella Larsen's chilling "Sanctuary."

This is an excellent, richly varied selection of thirteen tales. Unfortunately, the brief intros to each tale and its author commit the two cardinal sins of such intros: (1) They are excessively intrusive, sometimes revealing the stories' endings; and (2) they often leave out relevant information -- such as the knowledge that both Edith Wharton and Susan Glaspell received Pulitzer Prizes for their writing.

So, if you skip the brief story/author intros, you will find this to be a fine anthology, good both for literature courses and for individual reading.


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