World Famous Comics: Conversations with Woody Allen: His Films, the Movies, and Moviemaking
Conversations with Woody Allen: His Films, the Movies, and Moviemaking
By: Eric Lax Publisher: Knopf Average Rating: Binding: Hardcover Label: Knopf Number of Items: 1 Number of Pages: 416 Publication Date: October 16, 2007 Release Date: October 16, 2007
From the author of the best-selling biography Woody Allen—the most informative, revealing, and entertaining conversations from his thirty-six years of interviewing the great comedian and filmmaker.
For more than three decades, Woody Allen has been talking regularly and candidly with Eric Lax, and has given him singular and unfettered access to his film sets, his editing room, and his thoughts and observations. In discussions that begin in 1971 and continue into 2007, Allen discusses every facet of moviemaking through the prism of his own films and the work of directors he admires. In doing so, he reveals an artist’s development over the course of his career to date, from joke writer to standup comedian to world-acclaimed filmmaker.
Woody talks about the seeds of his ideas and the writing of his screenplays; about casting and acting, shooting and directing, editing and scoring. He tells how he reworks screenplays even while filming them. He describes the problems he has had casting American men, and he explains why he admires the acting of (among many others) Alan Alda, Marlon Brando, Michael Caine, John Cusack, Judy Davis, Robert De Niro, Leonardo DiCaprio, Mia Farrow, Gene Hackman, Scarlett Johansson, Julie Kavner, Liam Neeson, Jack Nicholson, Charlize Theron, Tracey Ullman, Sam Waterston, and Dianne Wiest. He places Diane Keaton second only to Judy Holliday in the pantheon of great screen comediennes.
He discusses his favorite films (Citizen Kane is the lone American movie on his list of sixteen “best films ever made”; Duck Soup and Airplane! aretwo of his preferred “comedian’s films”; Trouble in Paradise and Born Yesterday amonghis favorite “talking plot comedies”).He describes himself as a boy in Brooklyn enthralled by the joke-laden movies of Bob Hope and the sophisticated film stories of Manhattan. As a director, he tells us what he appreciates about Bergman, De Sica, Fellini, Welles, Kurosawa, John Huston, and Jean Renoir. Throughout he shows himself to be thoughtful, honest, self–deprecating, witty, and often hilarious.
Conversations with Woody Allen is essential reading for everyone interested in the art of moviemaking and for everyone who has enjoyed the films of Woody Allen.
An unknown friend I am 47. I started to see Allen's movies a long time ago. Every year, 90 minutes with an unknown friend, sometimes fun, sometimes tragic, always entertaining. Every important moment of my life could be associated with a Woody's film. Every sentimental feeling, as well. I have the habit to discuss a movie, after having seen it, usually in a "Pizzeria" with my friends. I want to reassure Mister Allen that this habit is alive. The book shares with us his professional story along the years, from the sixties right now. It's a fantastic way to live all the emotions from the opposite point of view, and it is a real pleasure. I share also more of Mister Allen's reflections about life and death, and i was very disappointed when his italian voice (Oreste Lionello), in a recent TV interview on an italian network, used Mister Allen face to express ideas completely different from the author. Explicitly, but anycase a sort of violence against Mister Allen. Woody, life is very difficult, but it would have been worst without you. Thanks a lot.
Better Than A Bio This is a great way to learn about Woody Allen, his craft, and his films. Organized thematically and chronologically, you see what films Allen really cares about and what he did just to fill the time. Some of his films were clearly throwaways for him. He made them because he's always working, but hardly remembers them and doesn't care to (Scoop, Small Time Crooks, Sleeper). Others are passions, like The Purple Rose of Cairo or Husbands and Wives. Allen is also, not surprisingly, self-depreciating, believing that his career is mostly self-indulgence that only a small audience appreciates. Of course, this underestimates himself and how impressive it is that he can have a regular output of one or two movies a year that, regardless of whether they are one of his best, are always well made, well acted, and interesting. The insights into how Allen works and how quickly, are interesting for fans. It also makes those of us who fancied ourselves writers realize what a true talent is. The best part of this book, there is no diversion into Allen's personal life which may be of interest to some, but not this reader. This is a great way to read about Allen's career, his collaborators, and his methods.
A must read for Woody Allen fans!! If you are a die hard Woody Allen fan you will love this book. It's a ringside seat to what goes on in his brain from writing to casting to directing to when the film is released. If you aren't a die hard fan, but simply like some of his movies you will appreciate him as a writer and a filmmaker. It's a really interesting book about Woody and his movies over a 30 year period!!
Great for Filmmakers This is one of those rare books where we actually get a clear insight into the creative process of a great filmmaker. Techniques, style, philosophy and approach are covered in great detail. Gives awesome insight into the man and the movies he made. I really enjoyed it.
take a walk through your salad days Ok I don't like Mr. Allen...I simply thrive upon his presence in this universe.
I never just saw a Woody Allen movie, read a Woody Allen short story or listened to a Woody Allen monologue...I was a participant in them. No I don't think I am psycotic, maybe a semi-adjusted bipolar person, who is cynical and overly critical about most things in this life, however swimming in the wake of Mr. Allen I somehow manage to smile at the "awful grace" of this existance. I do feel guilty since he does the heavy lifting and I benefit from it.
Recalling his movies is like recalling my first kiss, scoring my first touchdown, pineing my first broken heart or noticing death for the first time.
I recall each flick; when, where, who I saw it with, and the state of mind I left the theater to pursue the endless nuances of the adventure.
To the book. I hesitated picking it up as it is four hundred pages and did I really want to be mesmerized by Mr. Alllen and Mr. Lax during this very busy time. I resisted for almost four days then I was seduced, trapped and on my way to an intellectual orgasm that seems to continue when I turn each page.
These two guys are like friends you wish you had who made you totally comfortable hearing them talk and thilled that you are allowed to just be in the room and honored to be listening.
If you are an educator you must study it, if you are a doctor you must examine it, if you are performing artist you must value it, if you are a writer you must consume it and if you are, like myself an everyday person you gotta love it.
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