Amazon.com: Roddy Doyle follows Paddy Clarke Ha Ha Ha, winner of the Booker Prize, and The Commitments with another remarkable book that readers will find funny, sexy, and sad. He takes an unflinching look at the life of Paula Spencer as she struggles to regain her dignity after marriage to an abusive husband and a worsening drinking problem. Capturing both her vulnerability and her strength, Doyle gives Paula a voice that is real and unforgettable.
Great, Great, Great Everything was great. The book came quickly...came in great condition...and was a great price...what more can I ask for?
Sad story, lovely main character I would recommend this book to a friend. It is not a happy story, but the main character is immensely likable, and her story is interesting and worth reading. I liked Paula Spencer. She's funny, insightful, vulnerable and charming. She is also flawed, which makes her seem very real to me. It was hard to read this book though, because the shadow of her tragedy creeps across every page. Doyle waits until the final chapters to tell us, though, about Paula's battering at the hands of a man she loves, her "shattered" husband, Charlo. The title tells us what we do and do not want to know, so I think it's fine that Doyle waits until the end to reveal it all.
This book is written in the first person, and as an American the Irish vernacular was initially difficult for me, but Paula's inner dialogue is well written, and very enjoyable. I think I might have picked up a few Irish colloquialisms.
Kudos to Roddy Doyle! He has created a wonderful, likable, character in Paula Spencer.
The woman who walked into doors I read that Roddy Doyle was J K Rowling's favorite author. His fiction was too real and depressing. Plus it was hard to follow as he jumped from the past to present day often.
Ambivelent I think my main problem with this book was the language. I found all the cursing distracting, and made the flow of the book choppy. I gave it three stars because if you take all the cursing out of the book, it was quite good.
Doyle did an excellent job in describing the life of a physically abused wife, I was completely drawn into her life from page one.
"He gave me a choice--right or left. I chose left, and he broke the little finger on my left hand." Written in 1996, this "prequel" to 2007's Paula Spencer, tells of Paula's life from her teen years to her passionate relationship with Charlo Spencer. Part of a family of robbers, Charlo is an exciting man who makes her feel alive and gives her a sense of selfhood. Booker Prize-winner Doyle crafts a dramatic first-person narrative told by Paula, who leaves her rigid home and unsympathetic father to marry Charlo, a man her father disapproves of. Their passionate relationship and remarkable sense of communication vanish when Paula becomes pregnant with the first of their four children. Gradually, Paula finds solace in alcohol, as Charlo becomes an absentee husband and father and eventually a philandering wife-abuser.
Paula begins her story in the present, with Charlo's death--shot by the police after he has murdered a woman during a robbery--then develops the story through her reminiscences about both the good and the bad times. As she relives her courtship and early marriage and explores her early past and her more recent past,, she also tells us about her present battle with alcohol. She regrets that Nicola, her teenage daughter is responsible for the family on many occasions, since Paula works nights cleaning offices and then returns home wanting only to tell Jack a bedtime story and then abandon herself to drink.
As the story of her abuse evolves, the reader is privy to Paula's innermost conflicts. Though she knows that "I lost all my friends--and most of my teeth," she also bemoans the fact that "he beat me brainless and I felt guilty." The tendency of abuse victims to blame themselves, especially when their love has been as great as that of Paula and Charlo, explains Paula's comment that "for seventeen years I was brainwashed and brain dead." She knows that she has made her children suffer, not only because of her abuse but because of her alcoholism, but she has been powerless to change until in one violent moment, she sends Charlo out of the house and determines to live her life on her own.
Doyle's ability to structure a novel such as this one, which moves from immediate present into recent and then distant past, providing important information about character in the process, brings this dramatic novel to life. His trademark humor is subdued here in favor of the ironies of Paula's life. This is a far more serious novel than the Barrytown Trilogy--more in keeping with the Booker Prize-winning _Paddy Clark, Ha, Ha, Ha_, an equally sad story of a deteriorating marriage from the point of view of a ten-year-old boy. This poignant novel is ultimately a celebration of the human spirit as Paula determines to take control of her life and to provide a family for her children. n Mary Whipple
Anything Goes Trivia
Trevor
Megaton Man
