World Famous Comics: Publisher: Published with Spencer Museum of Art, Lawrence, Kansas The Prints of Roger Shimomura: A Catalogue Raisonne, 1968-2005 (Jacob Lawrence Series on American Artists)
Publisher: Published with Spencer Museum of Art, Lawrence, Kansas The Prints of Roger Shimomura: A Catalogue Raisonne, 1968-2005 (Jacob Lawrence Series on American Artists)
From: Published with Spencer Museum of Art, Lawrence, Kansas Publisher: Published with Spencer Museum of Art, Lawrence, Kansas Binding: Paperback Label: Published with Spencer Museum of Art, Lawrence, Kansas Number of Items: 1 Number of Pages: 152 Publication Date: May 15, 2007
Product Description: I have consistently turned to printmaking when I needed a fresh direction or a recharge of my creative batteries.--Roger Shimomura Best known as a painter and theater artist, Roger Simomura explores his Japanese American identity through a vibrant and provocative stylistic combination of twentieth-century American pop art and traditional eighteenth- and nineteenth-century Japanese woodblock prints. In his printed works, one discovers a number of firsts, among them the artist's first examination of place; his first attempt to combat stereotypes by appropriating racist caricatures; and his first use of explicitly sexual imagery. This catalogue raisonné is also a first. Featuring color reproductions of all the artist's 122 extant prints to date, along with notes by Shimomura about the creative and personal history behind particular images, this is the first publication to systematically examine a specific body of work within Shimomura's larger oeuvre. It is also the first to begin critically examining the importance of the Midwest to his work. A native of Seattle, Shimomura completed his MFA. at Syracuse University in New York, and then accepted a teaching position at the University of Kansas. Now retired, Shimomura still lives in Lawrence and remains engaged with the university. He has also made its Spencer Museum of Art the repository for his prints. Emily Stamey's introductory essay melds a chronological narrative of Shimomura's printmaking career with insightful analyses of both specific images and the broader conceptual role of prints within his work. She traces the artist's stylistic trajectory from his first Andy Warhol inspired screen prints, made in the bathroom of his graduate student apartment in the late 1960s, to his most recent suite produced with master printer Michael Sims at the Lawrence Lithography Workshop. Within this narrative, Stamey examines the ways in which Shimomura's prints relate to and stand apart from his paintings and theater performances.
Anything Goes Trivia
Last Kiss
Megaton Man
Trevor
