Product Description: Each of Mona Hatoum's works can be read as a formula for human existence, expressed in a penetrating visual language that is both complex and puzzling. As the artist herself points out, "One’s first experience of a work of art is physical. I appreciate works that have sensual as well as intellectual impact. Meanings, connotations, and associations begin to emerge only after the initial physical experience, when the imagination, the intellect, and the psyche are ignited by what one has seen." The daughter of Palestinian parents, Hatoum has long been regarded in Great Britain and the U.S. as one of the most important artists of her generation. Born in Lebanon in 1952 and a resident of London since 1975, her sensitivity to themes of power and identity has been heightened by a life lived outside her homeland. Many of her objects, video pieces, and installations deal with aspects of institutionalized violence and the vulnerability of the individual; her central point of reference is the body, in many cases her own. This is the first book to document the full breadth of Mona Hatoum's oeuvre, up to and including her most recent projects. Essays by Christoph Heinrich, Volker Adolphs, Richard Julin, Ursula Panhans-Büler, and Nina Zimmer. Hardcover, 8.5 x 10.5 in. / 144 pgs / 70 color and 50 b&w.
Smart and good-looking This is a good introduction to the art of Mona Hatoum. The book has several well written texts, an interesting interview, and very good photos. Of course, the kind of work Hatoum makes does not lend itself easily to photography, and inevitably some of the impact is lost (but then again, this could be said for any book on art...). Oh, and it is a very good-looking book.
Pity to close hatoum'work on a book The big art work of Mona Hatoum really don't are able to be close between to cover. Like her performance, her installation and sculpture are ugly and mute in a static and not-so-well-printed photografy book. Good is the intro, and the index of exibitions
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